Latest
Red Curly Cut Off Mudwire Tool
Mud Tools Red Curly Cut Off Mudwire Tool
This is more than just a cut-off tool. As you pull it through the clay, the coiled wire leaves a beautiful pattern. Use it for faceting and
you get a surface that looks beautiful on wood-fired or salt-fired pots and under glazes that break (like celadon or temeku).
Our handles are made of a durable polymer and are shaped to give you a comfortable ergonomic grip without having to wrap the
wire around your fingers. The stainless steel coiled wire comes to you compressed and you pull it out to get the curl that suits you.
(wire extends up to a max total length of approximately 15-inches)
Green Mudwire Cut Off Tool
Mud Tools Standard Green Mudwire Cut Off Tool
Our Standard Green Mudwire is ergonomically designed to be a pleasure to use.
The handle is made with a durable polymer and is shaped to give you a comfortable grip without having to wrap the wire around your fingers. The high grade stainless steel braided cable is more resistant to kinking than common cable or solid wire and stronger than nylon fishing line.
This cut-off wire is suited for a standard 13 inch wheel-head and makes a clean cut.
Black Mudwire Cut Off Tool - Heavy Duty
Mud Tools Heavy Duty two handled Cut Off Wire Tool - Black
The Heavy Black Mud-Wire is the big brother of the Standard Green Mudwire general-use wire.
This Mudwire is made with a thicker high grade stainless steel braided cable, making it stronger & more resistant to kinking
The heavy gauge wire is built to take on the big jobs and groggy clay.
The handles are made with a durable polymer & are shaped to give you a comfortable ergonomic grip without having to wrap the
wire around your fingers.
(wire length is approximate 17″ but may vary slightly)
Studio Board Pottery Form
Studio Board 12 x 10 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
Our New Studio Boards are light weight and are a 1/4” thick. They help to flip the Form over or be used as a work surface!
Due to the board being thin, they may warp if they aren't cared for properly.
Studio Board Pottery Form
Studio Board 12 x 10 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
Our New Studio Boards are light weight and are a 1/4” thick. They help to flip the Form over or be used as a work surface!
Due to the board being thin, they may warp if they aren't cared for properly.
Christmas Tree Form
Christmas Tree Form 10 x 8 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
Our New Christmas Holliday dish
RD2 8 inch Pottery Form
RD2 - 8 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
8 inch Round Form with a soft edge and 2 drill holes.
Compatible with the WA2, WA2 Key or WA.
RD2 6.5 inch Pottery Form
RD2 - 6.5 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
6.5 Round Form with a soft edge and 2 drill holes.
Compatible with the WA2, WA2 Key or WA.
RD2 9.5 inch Pottery Form
RD2 - 9.5 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
9.5 Round Form with a soft edge and 2 drill holes.
Compatible with the WA2, WA2 Key or WA.
Puppy Gnome
MB1628 Puppy Gnome in ready to paint, cone 04 Low-Fire Ceramic Bisque
5 L x 4.5 W x 7.75 H
Kitten Gnome
MB1627 Kitten Gnome in ready to paint, cone 04 Low-Fire Ceramic Bisque
4.75 L x 4.25 W x 7.75 H
Sm. Faceted Mushroom
MB1626 - Sm. Faceted Mushroom in Ceramic Cone 04 Bisque
4.25 L x 4.25 W x 5 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Lg. Faceted Mushroom
MB1625 - Lg. Faceted Mushroom in Ceramic Cone 04 Bisque
6 L x 6 W x 7 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Purple Aster - 16 oz Mayco Stoneware Glaze
Purple Aster
SW-199
Cone 6: Purple Aster is a glossy, semi-opaque lavender glaze that breaks over texture and develops a pale violet frost; deep blue crystals melt into cascading blossoms of indigo.
Cone 10: Color darkens slightly. No change to crystals.
TIP: Purple Aster uses SW165 Lavender Mist as the base glaze. This glaze stable at 3 coats, even with heavy application. Crystals can create movement. Avoid having a heavy concentration of crystals near the bottom of your piece. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Description
Stoneware crystal glazes are designed to expand upon the surface with dazzling bursts of color. Fired results will vary based on wareâs orientation. Crystals will settle to the bottom of the jar and will need a good mixing prior to initial use. Re-stir between each coat. Stir with palette knife or other unpainted tool. Avoid placing crystals near the bottom third of a vertical piece as they may cause additional movement during firing. Crystals will flow more than the base glaze. While the glaze is wet, use your fan brush to redistribute the crystals to achieve balanced coverage. Over-application or heavy deposition of the crystals can cause pin-holing or running. When storing a crystal glaze, you may consider storing upside down to facilitate crystal dispersion on the next use.
Opal Luster - 16 oz Mayco Stoneware Glaze
Opal Luster
SW-219 Mayco Stoneware Glaze
Cone 6 oxidation: Opal Lustre is a glossy, semi-opaque glaze that displays variegated shades of blues, greens, and purples. Breaks warm brown over texture.
Cone 10 reduction: Color flattens, and warm undertones come through.
TIP: This glaze is semi-fluid at 3 coats. Additional coats or increased application thickness may result in movement. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
Micro Pearl - 16 oz Mayco Stoneware Glaze
MICRO PEARL
SW-214 Mayco Stoneware Glaze
Cone 6 oxidation: Micro Pearl is a glossy, semi-opaque white glaze with lilac
undertones that breaks over texture. Iridescent micro-crystallization in shades
of lilac and pale yellow will develop during the firing process.
Cone 10 reduction: Glaze darkens to blue, purple and white
variegation.
TIP: This
glaze is stable at 3 coats. Additional coats or increased application thickness
may result in movement. We recommend firing our micro glazes to cone 6
oxidation to reach crystalline development. Micro-Pearl achieves a stable,
semi-opaque, frosted white result with a pearlescent satin finish when fired to
cone 5. Can be used in oxidation or reduction firings. Results may
vary. The choice of clay body, thickness of application, firing process,
and temperature will greatly affect the fired results. Always test your
application on your clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
Micro Jade - 16 oz Mayco Stoneware Glaze
MIcro Jade
SW-216 - Mayco Stoneware brush on glaze
Cone 6 oxidation: Micro Jade is a glossy,
translucent, jade green glaze with a turquoise float that breaks over texture.
Blooms of shimmering bronze micro-crystallization will develop during the
firing process.
Cone 10 reduction: Glaze turns to a variegated brown.
TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Jade achieves a stable, semi-opaque olive result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
Micro Champagne - 16 oz Mayco Stoneware Glaze
MICRO CHAMPAGNE
SW-215 Mayco Stoneware Glaze
Cone 6 oxidation: Micro Champagne is
a glossy, translucent amber glaze with a mauve float that breaks over texture.
Blooms of shimmering gold micro-crystallization will develop during the firing
process.
Cone 10 reduction: Glaze darkens.
TIP: This
glaze is fluid at 3 coats. Recede application to avoid unwanted
runoff. Due to the translucent nature of this product, be aware of your
application consistency and thickness to avoid streaky brushstrokes. We
recommend firing our micro glazes to cone 6 oxidation to reach crystalline
development. Micro Champagne achieves a stable, semi-opaque, golden-amber
result that breaks over texture and has a pearlescent satin finish when fired
to cone 5. Can be used in oxidation or reduction firings. Results may vary. The
choice of clay body, thickness of application, firing process, and temperature
will greatly affect the fired results. Always test your application on your
clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
Micro Cerulean - 16 oz Mayco Stoneware Glaze
MICRO Cerulean
SW-217 Mayco Stoneware Glaze
Cone 6 oxidation: Micro Cerulean is a glossy, translucent, medium blue glaze with an aqua float that breaks over texture. Blooms of shimmering blue micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze turns to a variegated grey/blue.
TIP: This glaze is stable at 3 coats. Additional coats or increased application thickness may result in movement. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Cerulean achieves a stable, semi-opaque, deep blue result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
Micro Ash - 16 oz Mayco Stoneware Glaze
MICRO Ash
SW-218 Mayco Stoneware Glaze
Cone 6 oxidation: Micro Ash is a glossy, translucent, variegated charcoal glaze with a periwinkle float that breaks over texture. Blooms of shimmering onyx micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze darkens.
TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Ash achieves a stable, semi-opaque, warm charcoal result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
White Engobe - 16oz Mayco Stoneware Glaze
EG-001 White ENGOBE 16-ounce (Brush on) by Mayco Colors
Cone
6 oxidation: Black
Engobe fires matte black. Engobes are used to coat your clay body to your
preferred finish/color and are a great base to achieve in your glaze
results.
Cone
10 reduction: No
change.
Tips: Can be applied to wet
clay, greenware or soft fired, cone 04 bisque. Engobes are often used for
a variety of decorative techniques, such as sgraffito and majolica. Fires
matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes
will impact glaze results when used as a base. Engobes are used to change
the color of your clay color surface without cross contamination and easy clean
up in your studio. Can be used in oxidation or reduction firings. Results
may vary. The choice of clay body, thickness of application, firing
process, and temperature will greatly affect the fired results. Always test
your application on your clay body in your kiln environment.
Teal Drift Amaco Phase Glaze
PG-42 Teal Drift Amaco Cone 5/6 Phase Glaze
A vivid turquoise with a subtle spot where thick, PG-42
Teal Drift is a rich, tropical color.
Layers well over AMACO Celadons, Potter's Choice and Satin Matte glazes. For
layering, please apply 3 coats over 3 coats. Glaze layering fired results may
run if paired with a runny glaze. We recommend testing any layering combination
prior to putting it on a full ceramic piece.
Shake
well before use. For best results, do not thin the glaze and apply 3-4 brush
coats to Cone 04 bisque. (Let the glaze dry between coats.)
Glaze
fire to Cone 5-6. Due to variations in raw materials used during manufacturing,
we recommend firing glazed test tiles before using each new batch number of
glaze
Speckled Buff Engobe - 16 oz Mayco Stoneware Glaze
EG-002 SPECKLED BUFF ENGOBE 16-ounce (Brush on) by Mayco Colors
Cone
6 oxidation: Speckled Buff Engobe fires matte ivory with brown
speckles. Engobes are used to coat your clay body to your preferred
finish/color and are a great base to achieve v in your glaze results.
Cone
10 reduction: No change.
Tips: Can be applied to wet clay,
green-ware or soft fired, cone 04 bisque. Engobes are often used for a
variety of decorative techniques, such as sgraffito and majolica. Fires
matte. Apply clear glaze to intensify color or for use on dinnerware.
Engobes
will impact glaze results when used as a base.
Engobes are used to change
the color of your clay color surface without cross contamination and easy clean
up in your studio. Can be used in oxidation or reduction firings. Results
may vary. The choice of clay body, thickness of application, firing
process, and temperature will greatly affect the fired results. Always test
your application on your clay body in your kiln environment.
Set 112 Semi-Moist Underglaze Set
Amaco Semi-Moist Underglaze Set #112
Set #112 includes the Red, Bright Yellow, Chartreuse, Warm
Green, Aqua, Medium Blue, White, and Black colors of the Semi-Moist
Underglazes. The SMUG's are formulated to respond similarly to being brushed
like watercolors- becoming more opaque with layered application and more
transparent after water is added. They can be blended and diluted to achieve a
wide variety of effects.
- Rated for Cone 04-10. *Excluding Peach and Rose (Cone 04-6)
- Must be used with proper glaze to be food safe.
Set 111 Semi-Moist Underglaze Set
Amaco Semi-Moist Underglaze Set #111
Set #111 includes
the Real Orange, Light Red, Violet, Electric Blue, Salmon, Red, Amethyst, and
Hunter Green colors of the Semi-Moist Underglazes. The SMUG's are formulated to
respond similarly to being brushed like watercolors- becoming more opaque with
layered application and more transparent after water is added. They can be
blended and diluted to achieve a wide variety of effects.
- Rated for Cone
04-10.
- Must be used with proper glaze to be food safe.
Set 110 Semi-Moist Underglaze Set
Amaco Semi-Moist Underglaze Set #110
Set #110 includes the Orange, Rose, Light Blue, Chartreuse,
Peach, Purple, Aqua, and Sun Tan colors of the Semi-Moist Underglazes. The
SMUG's are formulated to respond similarly to being brushed like watercolors-
becoming more opaque with layered application and more transparent after water
is added. They can be blended and diluted to achieve a wide variety of effects.
- Rated for Cone 04-10. *Excluding Peach and Rose (Cone 04-6)
- Must be used with proper glaze to be food safe.
Set 109 Semi-Moist Underglaze Set
Amaco Semi-Moist Underglaze Set #109
Set #109 includes the Bright Yellow, Lilac, Medium blue,
Mahogany Brown, Pink, Turquoise, Warm Green, and Warm Gray colors of the
Semi-Moist Underglazes. The SMUG's are formulated to respond similarly to being
brushed like watercolors- becoming more opaque with layered application and
more transparent after water is added. They can be blended and diluted to
achieve a wide variety of effects.
- Rated for Cone 04-10. *Excluding Bright Yellow and Pink (Cone 04-6)
- Must be used with proper glaze to be food safe.
Set 108 Semi-Moist Underglaze Set
Amaco Semi-Moist Underglaze Set
#108
Set #108 includes the Light Yellow, Maroon, Dark Blue,
Blue-Green, Dark Green, Light Brown, White, and Black colors of the Semi-Moist
Underglazes. The SMUG's are formulated to respond similarly to brushing with
watercolors - becoming more opaque with layered application and more transparent
after water is added. They can be blended and diluted to achieve a wide variety
of effects.
- Rated for Cone 04-10. *Excluding Light Yellow and Maroon (Cone 04-6)
- Must be used with proper glaze to be food safe.
Night Rain Amaco Phase Glaze
PG-24 Night Rain Amaco Phase Cone 5/6 Phase Glaze
A deep indigo blue with lighter blue visual texture, PG-24
Night Rain is reminiscent of a night sky through a rain spattered window.
Layers well over AMACO Celadons, Potter's Choice and Satin
Matte glazes. For layering, please apply 3 coats over 3 coats. Glaze layering
fired results may run if paired with a runny glaze. We recommend testing any
layering combination prior to putting it on a full ceramic piece.
Shake
well before use. For best results, do not thin the glaze and apply 3-4 brush
coats to Cone 04 bisque. (Let the glaze dry between coats.)
Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.
Lunar Pink Amaco Phase Glaze
PG-54 Lunar Pink Amaco, Cone 5/6 Phase Glaze
A pale, cool pink with white visual texture where thick.
PG-54 Lunar Pink gives the visual effect is caused by the scattering of
sunlight through the Earth's atmosphere during the moonrise.
Layers well over AMACO Celadons, Potter's Choice and Satin Matte glazes. For
layering, please apply 3 coats over 3 coats. Glaze layering fired results may
run if paired with a runny glaze. We recommend testing any layering combination
prior to putting it on a full ceramic piece.
Shake
well before use. For best results, do not thin the glaze and apply 3-4 brush
coats to Cone 04 bisque. (Let the glaze dry between coats.)
Glaze
fire to Cone 5-6. Due to variations in raw materials used during manufacturing,
we recommend firing glazed test tiles before using each new batch number of
glaze.
Golden Honey - 16oz Potters Choice Cone 5 Glaze
PC-68 - Golden Honey - Mid Range Potters Choice Glaze in Pint Size Container
Semi-gloss warm
yellow, Golden Honey is a translucent glaze like whipped honey. Breaks lighter
on texture, a richer color where thick.
Layers well over AMACO
Celadons, other Potter's Choice and Satin Matte glazes. Glaze layering fired
results may run if paired with a runny glaze. We recommend testing any layering
combination prior to putting it on a full ceramic piece.
Shake well before use. For best results, do
not thin the glaze and apply 3 brush coats to Cone 04 bisque. (Let the glaze
dry between coats.) Glaze fire to Cone 5-6. Due to variations in raw materials
used during manufacturing, we recommend firing glazed test tiles before using
each new batch number of glaze.
Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.
Floating Lavender Amaco Phase Glaze
PG-55 Floating Lavender Amaco, Cone 5/6 Phase Glaze
A light purple with lighter visual spot texture where
thick, PG-55 Floating Lavender is light and airy as a cloud at sunset.
Layers well over AMACO Celadons, Potter's Choice and Satin Matte glazes. For
layering, please apply 3 coats over 3 coats. Glaze layering fired results may
run if paired with a runny glaze. We recommend testing any layering combination
prior to putting it on a full ceramic piece.
Shake
well before use. For best results, do not thin the glaze and apply 3-4 brush
coats to Cone 04 bisque. (Let the glaze dry between coats.)
Glaze
fire to Cone 5-6. Due to variations in raw materials used during manufacturing,
we recommend firing glazed test tiles before using each new batch number of
glaze.
Fire & Ice - 16oz Potters Choice Cone 5 Glaze
PC-72 - Fire & Ice - Mid Range Potters Choice Glaze in Pint Size Container
PC-72 Fire & Ice
is deep red where thick and icy blue where thin. Fire & Ice is a reduction
copper red for electric firing with a dramatic icy, blue-colored break on
texture. Apply three coats for best oxblood red color.
Layers well over AMACO
Celadons, other Potter's Choice and Satin Matte glazes. Glaze layering fired
results may run if paired with a runny glaze. We recommend testing any layering
combination prior to putting it on a full ceramic piece.
Shake well before use. For best results, do
not thin the glaze and apply 3 brush coats to Cone 04 bisque. (Let the glaze
dry between coats.) Glaze fire to Cone 5-6. Due to variations in raw materials
used during manufacturing, we recommend firing glazed test tiles before using
each new batch number of glaze..
Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.
Dark Brown Engobe - 16 oz Mayco Stoneware Glaze
EG-004 dark brown ENGOBE 16-ounce (Brush on) by Mayco Colors
Cone
6 oxidation: Dark
Brown Engobe fires matte brown.
Engobes are used to coat your clay body to your
preferred finish/color and are a great base to achieve in your glaze
results.
Cone
10 reduction: No
change.
Tips: Can be applied to wet clay, green-ware or soft fired,
cone 04 bisque. Engobes are often used for a variety of decorative
techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze
to intensify color or for use on dinnerware.
Engobes will impact glaze
results when used as a base. Engobes are used to change the color of your
clay color surface without cross contamination and easy clean up in your
studio. Can be used in oxidation or reduction firings.
Results may
vary. The choice of clay body, thickness of application, firing process,
and temperature will greatly affect the fired results. Always test your
application on your clay body in your kiln environment
Brick Red Engobe - 16-oz Mayco Stoneware Glaze
EG-003 brick red ENGOBE 16-ounce (Brush on) by Mayco Colors
Cone 6 oxidation: Brick Red Engobe
fires matte red/brown. Engobes are used to coat your clay body to your
preferred finish/color and are a great base to achieve v in your glaze
results.
Cone 10 reduction: No change.
Tips: Can be applied to wet clay, green-ware or soft fired, cone 04
bisque. Engobes are often used for a variety of decorative techniques,
such as sgraffito and majolica. Fires matte.
Apply clear glaze to
intensify color or for use on dinnerware. Engobes will impact glaze
results when used as a base.
Engobes are used to change the color of your
clay color surface without cross contamination and easy clean up in your
studio.
Can be used in oxidation or reduction firings. Results may
vary. The choice of clay body, thickness of application, firing process,
and temperature will greatly affect the fired results.
Always test your
application on your clay body in your kiln environment.
Black Engobe - 16oz Mayco Stoneware Glaze
EG-005 Black ENGOBE 16-ounce (Brush on) by Mayco Colors
Cone
6 oxidation: Black
Engobe fires matte black. Engobes are used to coat your clay body to your
preferred finish/color and are a great base to achieve in your glaze
results.
Cone
10 reduction: No
change.
Tips: Can be applied to wet
clay, greenware or soft fired, cone 04 bisque. Engobes are often used for
a variety of decorative techniques, such as sgraffito and majolica. Fires
matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes
will impact glaze results when used as a base. Engobes are used to change
the color of your clay color surface without cross contamination and easy clean
up in your studio. Can be used in oxidation or reduction firings. Results
may vary. The choice of clay body, thickness of application, firing
process, and temperature will greatly affect the fired results. Always test
your application on your clay body in your kiln environment.
Wide Stoneware Serving Bowl
Wide Serving Bowl in ready to paint, Soft-Fired, Cone 04, Stoneware Bisque.
13.5 L x 13.5 W x 3.25 H
Medium Stoneware Mixing Bowl
Medium Mixing Bowl Bowl in ready to paint, Soft-Fired, Cone 04, Stoneware Bisque.
10.5 L x 10.5 W x 3.5 H
Small Stoneware Mixing Bowl
Small Mixing Bowl Bowl in ready to paint, Soft-Fired, Cone 04, Stoneware Bisque.
8.25 L x 8.25 W x 2.75 H
Spongette Tool
Kemper K33 SpongetteTool
7 inches Long
Features a soft rectangular cellulose sponge.
(approx. 3.5 L x 1W x 1H) mounted on a sturdy hardwood handle.
PT430 Pro-Line Trim Tool 1 SQ @ 45 Degree
Kemper Ceramic Tools
PT430 Pro-Line Trim Tool 1 SQ @ 45 Degree
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PT480L Pro-Line Trim Tool 1/2 Teardrop
Kemper Ceramic Tools
PT480L Pro-Line Trim Tool 1/2 Teardrop
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PT310 Pro-Line Trim Tool 1-7/8 Pear Core
Kemper Ceramic Tools
PT310 Pro-Line Trim Tool 1-7/8 Pear Core
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PT360 Pro-Line Trim Tool Angle 1.8 x .9
Kemper Ceramic Tools
PT360 Pro-Line Trim Tool Angle 1.8 x .9
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PT315 Pro-Line Bird Beak Trim Tool 2 x 1-3/8
Kemper Ceramic Tools
PT315 Pro-Line Bird Beak Trim Tool 2 x 1-3/8
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PT571 Pro-Line Bird Beak Trim Tool 1-1/2
Kemper Ceramic Tools
PT571 Pro-Line Bird Beak Trim Tool 1-1/2
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PT572 Pro-Line Bird Beak Trim Tool 1 x 1-1/16
Kemper Ceramic Tools
PT572 Pro-Line Bird Beak Trim Tool 1 x 1-1/16
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PTM90 Pro-Line M Trim Tool 1/4 Diameter
Kemper Ceramic Tools
PTM90 Pro-Line M Trim Tool 1/4 Diameter
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PTM15 Pro-Line M Trim Tool 3/16 Round
Kemper Ceramic Tools
PTM15 Pro-Line M Trim Tool 3/16 Round
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PTM10 Pro-Line M Trim Tool 1/4 Round
Kemper Ceramic Tools
PTM10 Pro-Line M Trim Tool 1/4 Round
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
WC-438 Red B-Mix with Grog cone 5 mid-range clay - 25 lbs bag
WC438 - Red B-Mix with Grog Clay - Cone 5 Mid-Range Clay by Laguna
A medium sized grog version of our popular Cone 5 B Mix clay body with the addition of Red clay to achieve a warm Orange Brown color.
Very forgiving during drying and good for forming larger sized objects.
Characteristics
Cone: 5
Wet Color: Red
Firing Color: Oxidation: Orange Brown - Reduction: Reddish Brown
Texture: Slightly Coarse
Penetrometer Target: 6.75
Avg. Shrinkage 2±%: 9%
Avg. Water Absorption 1±%: 4%
COE x 10-6: 6.36
WC-436 B-Mix with Grog Cone 5 mid-range clay - 25 lbs bag
WC436 - B-Mix with Grog - Cone 5 Mid-Range Clay by Laguna: 25-lb Bag
A very fine grog addition to the WC-401 Laguna B-Mix 5 makes for a more forgiving body with a slight texture and minimal speckling.
Characteristics
Cone: 5
Wet Color: Light Gray
Fire Color
Oxidation: Off-White
Reduction: Gray-White
Texture: Slightly Coarse
Penetrometer Target: 6.75
Avg. Shrinkage ±2%: 11.0%
Avg. Water Absorption ±1%: 2.75%
COE x 10-6: 5.72
WC-408 B-Mix with Specks Cone 5 mid range clay - 25 lbs bag
WC408 B Mix with Speckles - Mid Range, Cone 5 Clay by Laguna.
This clay has the same working properties as your favorite B Mix WC-401.
This is a mid temperature, smooth, porcelaneous stoneware that is very plastic and workable.
This clay prefers slow drying and ample compression on rims and bottoms to avoid cracks.
Do Not fire this clay above Cone 5.
Glaze Test Results
We have tested B-Mix with specks, WC 408 with excellent results on many of our Laguna glaze series.
-MS Series (Moroccan Sand)
-Many of the MS series have shown fantastic results. Glaze fit is very compatible with BMix with specks.
-Crackle series
-The crackle series has some of the more interesting results as the glaze causes the specks to bleed and turn purplish
-Crystalline Firing
-Mystic series
-The Mystic series Tends to cover the specks unless using WC-104 or WC-103
Characteristics
Cone: 5
Firing Color: Oxidation: warm white with speckles - Reduction: N/A
Texture: Smooth
Penetrometer Target: 6.75
Avg. Shrinkage 2±%: 12.47%
Avg. Water Absorption 1±%: 2.47%
COE x 10-6: 6.51
Glaze Test Results
We have tested B-Mix with specks, WC 408 with excellent results on many of our Laguna glaze series.
-MS Series (Moroccan Sand)
-Many of the MS series have shown fantastic results. Glaze fit is very compatible with BMix with specks.
-Crackle series
-The crackle series has some of the more interesting results as the glaze causes the specks to bleed and turn purplish
-Crystalline Firing
-Mystic series
-The Mystic series Tends to cover the specks unless using WC-104 or WC-103
Characteristics
Cone: 5
Firing Color: Oxidation: warm white with speckles - Reduction: N/A
Texture: Smooth
Penetrometer Target: 6.75
Avg. Shrinkage 2±%: 12.47%
Avg. Water Absorption 1±%: 2.47%
COE x 10-6: 6.51
White - Low Fire Cone 04 Clay - 25 lbs bag
EM100 Talc-Free Low Fire White Laguna Earthenware Clay - Cone 04 - 06
25-pound Bag
Ideal for schools and beginners.
Talc-free white firing clay, smooth, plastic, suitable for throwing and sculpture.
Characteristics
Cone: 06
Wet Color: Gray
Firing Color: Oxidation: White - Reduction: N/A
Texture: Smooth
Penetrometer Target: 7.5
Avg. Shrinkage ±2%: 8%
Avg. Water Absorption ±1%: 11.5%
COE x 10-6: 9.46
Talc-free white firing clay, smooth, plastic, suitable for throwing and sculpture.
Characteristics
Cone: 06
Wet Color: Gray
Firing Color: Oxidation: White - Reduction: N/A
Texture: Smooth
Penetrometer Target: 7.5
Avg. Shrinkage ±2%: 8%
Avg. Water Absorption ±1%: 11.5%
COE x 10-6: 9.46
2024 Stoneware Micro Color Kit - 12 - 4-oz jars
SW2024 New Stoneware Micro Color Kit - (brush on) Glaze by Mayco
All the new colors for April 2024 in one very convenient, 4-oz jar sample kit
Wild Flowers
RL-040 Wild Flowers Large Handle Roller
RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across. Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture.
Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.
All our Rollers are easily cleaned with water and a soft toothbrush.
Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.
One RH-1 is all you need to use for any RL, RM or RS Roller.
The RH-1 and rollers are sold separately.
Prairie Flowers
RL-042 Prairie Flowers Large Handle Roller
RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across. Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture.
Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.
All our Rollers are easily cleaned with water and a soft toothbrush.
Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.
One RH-1 is all you need to use for any RL, RM or RS Roller.
The RH-1 and rollers are sold separately.
Mushroom
RL-043 Mushroom Large Handle Roller
RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across. Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture.
Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.
All our Rollers are easily cleaned with water and a soft toothbrush.
Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.
One RH-1 is all you need to use for any RL, RM or RS Roller.
The RH-1 and rollers are sold separately.
Monstera
RL-041 Monstera Large Handle Roller
RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across. Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture.
Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.
All our Rollers are easily cleaned with water and a soft toothbrush.
Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.
One RH-1 is all you need to use for any RL, RM or RS Roller.
The RH-1 and rollers are sold separately.
Leaves
HR-014 Leaves Hand Roller
HR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the HR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and lightweight HR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend.
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use.
Our Hand Rollers are easily cleaned with water and a soft toothbrush.
Flamingo
BHR-151 - Flamingo Big Hand Roller
BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend.
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our Hand Rollers are easily cleaned with water and a soft toothbrush.
Flamingo
RM-059 Flamingo Medium Hand Roller
RM - Medium Handle Rollers have a rolling design face that is 3 cm (1.2 inch) across. Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture.
Our RM Rollers are made from wood and finished with tung oil to ensure durability for many years of use.
All our Rollers are easily cleaned with water and a soft toothbrush.
Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.
One RH-1 is all you need to use for any RM, RL or RS Roller.
The RH-1 and rollers are sold separately.
Flamingo
RL-036 - Flamingo Large Handle Roller
RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across. Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture.
Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.
All our Rollers are easily cleaned with water and a soft toothbrush.
Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.
One RH-1 is all you need to use for any RL, RM or RS Roller.
The RH-1 and rollers are sold separately.
Cactus
RL-039 - Cactus Large Handle Roller
RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across. Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture.
Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.
All our Rollers are easily cleaned with water and a soft toothbrush.
Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.
One RH-1 is all you need to use for any RL, RM or RS Roller.
The RH-1 and rollers are sold separately.
Periwinkle - 4oz Mayco Foundation Glaze
FN057 Periwinkle (4 ounce) Mayco Foundation Opaque Glaze
Foundations Opaque Glazes are Certified AP non-toxic and
dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss periwinkle
pastel blue finish and can be intermixed for custom colors.
Cone 6 oxidation: No
color change.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application - Foundations will not dissolve or pick up previous coats of
glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Periwinkle - 16oz. Mayco Foundation Glaze
FN057 Periwinkle (pint) Foundation Opaque Glaze by Mayco Colors
Foundations Opaque Glazes are Certified AP non-toxic and dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss periwinkle
pastel blue finish and can be intermixed for custom colors.
Cone 6 oxidation: No
color change.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application â Foundations will not dissolve or pick up previous coats of glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Mushroom - 4oz Mayco Foundation Glaze
FN060 Mushroom (4 ounce) Mayco Foundation Opaque Glaze
Foundations Opaque Glazes are Certified AP non-toxic and
dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss mushroom
brown finish and can be intermixed for custom colors.
Cone 6 oxidation: Color
lightens.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process.
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application - Foundations will not dissolve or pick up previous coats of
glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Mushroom - 16oz. Mayco Foundation Glaze
FN060 Mushroom (pint) Foundation Opaque Glaze by Mayco Colors
Foundations Opaque Glazes are Certified AP non-toxic and dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss mushroom
brown finish and can be intermixed for custom colors.
Cone 6 oxidation: Color
lightens.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application â Foundations will not dissolve or pick up previous coats of glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Ivory Specks - 4oz Mayco Foundation Glaze
FN061 Ivory Specks (4 ounce) Mayco Foundation Opaque Glaze
Foundations Opaque Glazes are Certified AP non-toxic and
dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss speckled
off-white finish and can be intermixed for custom colors.
Cone 6 oxidation: Color
darkens, specks lighten and blur.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process.
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application - Foundations will not dissolve or pick up previous coats of
glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Ivory Specks - 16oz. Mayco Foundation Glaze
FN061 Ivory Specs (pint) Foundation Opaque Glaze by Mayco Colors
Foundations Opaque Glazes are Certified AP non-toxic and dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss speckled
off-white finish and can be intermixed for custom colors.
Cone 6 oxidation: Color
darkens, specks lighten and blur.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application â Foundations will not dissolve or pick up previous coats of glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Heather - 4oz Mayco Foundation Glaze
FN056 Heather (4 ounce) Mayco Foundation Opaque Glaze
Foundations Opaque Glazes are Certified AP non-toxic and
dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss heather
purple finish and can be intermixed for custom colors.
Cone 6 oxidation: Color
lightens.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application - Foundations will not dissolve or pick up previous coats of
glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Heather - 16oz. Mayco Foundation Glaze
FN056 Heather (pint) Foundation Opaque Glaze by Mayco Colors
Foundations Opaque Glazes are Certified AP non-toxic and dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss heather
purple finish and can be intermixed for custom colors.
Cone 6 oxidation: Color
lightens.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application â Foundations will not dissolve or pick up previous coats of glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Green Apple - 4oz Mayco Foundation Glaze
FN058 Green Apple (4 ounce) Mayco Foundation Opaque Glaze
Foundations Opaque Glazes are Certified AP non-toxic and
dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss green apple
finish and can be intermixed for custom colors.
Cone 6 oxidation: No
color change.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application - Foundations will not dissolve or pick up previous coats of
glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Green Apple - 16oz. Mayco Foundation Glaze
FN058 Green Apple (pint) Foundation Opaque Glaze by Mayco Colors
Foundations Opaque Glazes are Certified AP non-toxic and dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss green apple
finish and can be intermixed for custom colors.
Cone 6 oxidation: No
color change.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application â Foundations will not dissolve or pick up previous coats of glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Cashmere - 4oz Mayco Foundation Glaze
FN059 Cashmere (4 ounce) Mayco Foundation Opaque Glaze
Foundations Opaque Glazes are Certified AP non-toxic and
dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss cashmere tan
finish and can be intermixed for custom colors.
Cone 6 oxidation: No
color change.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application - Foundations will not dissolve or pick up previous coats of
glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Cashmere - 16oz. Mayco Foundation Glaze
FN059 Cashmere (pint) Foundation Opaque Glaze by Mayco Colors
Foundations Opaque Glazes are Certified AP non-toxic and dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss cashmere tan
finish and can be intermixed for custom colors.
Cone 6 oxidation: No
color change. General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application â Foundations will not dissolve or pick up previous coats of glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Bubblegum - 4oz Mayco Foundation Glaze
FN055 Bubblegum (4 ounce) Mayco Foundation Opaque Glaze
Foundations Opaque Glazes are Certified AP non-toxic and
dinnerware safe.
Cone 06 oxidation:
Produces a beautiful, smooth high gloss bubblegum
pink finish and can be intermixed for custom colors.
Cone 6 oxidation:
Color
lightens.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application - Foundations will not dissolve or pick up previous coats of
glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Bubblegum - 16oz. Mayco Foundation Glaze
FN055 Bubblegum (pint) Foundation Opaque Glaze by Mayco Colors
Foundations Opaque Glazes are Certified AP non-toxic and dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss bubblegum
pink finish and can be intermixed for custom colors.
Cone 6 oxidation: Color
lightens.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application â Foundations will not dissolve or pick up previous coats of glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Chevron Bowl
MB1615 Chevron Bowl in Ceramic Cone 04 Bisque
6.25 W x 6.25 L x 3.25 H
All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate.
Bird Luminary
Bird Luminary in ready to paint, cone 04 Low-Fire Ceramic Bisque
5.5 L x 3 W
Scalloped Mug
MB-1616 Scalloped Mug in Ready to Paint, Cone 04 Ceramic Bisque
5.5 W x 5.5 L x 3.75
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Scalloped Bowl
MB1613 Scalloped Bowl in Ceramic Cone 04 Bisque
6.25 W x 6.25 L x 3.25 H
All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate.
Ribbed Mushroom
MB1623 - Ribbed Mushroom in Ceramic Cone 04 Bisque
4.25 W x 5.5 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Posy Vase
MB1610 Posy Vase in Ready to Paint, Cone 04 Ceramic Bisque
4 L x 4 W x 5.25 H
All of our bisque is fired to a cone 04 and is ready to paint.
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Mosaic Mug
MB-1617 Mosaic Mug in Ready to Paint, Cone 04 Ceramic Bisque
5.5 W x 5.5 L x 3.75
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Mosaic Bowl
MB1614 Mosaic Bowl in Ceramic Cone 04 Bisque
6.25 W x 6.25 L x 3.25 H
All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate.
Fred Rooster
MB-1619 Fred Rooster in ready to paint, cone 04 Low-Fire Ceramic Bisque
6.75 L x 3.75 W x 8.25 H
Flora Vase
MB1612 Flora Vase in Ready to Paint, Cone 04 Ceramic Bisque
5.75 L x 5.75 W x 4 H
All of our bisque is fired to a cone 04 and is ready to paint.
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ethel Hen
MB-1620 Ethel Hen in ready to paint, cone 04 Low-Fire Ceramic Bisque
6 L x 3.75 W x 6.5 H
Dotted Mushroom
MB1624 - Dotted Mushroom in Ceramic Cone 04 Bisque
4 W x 4.25 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Curly Mushroom
MB1622 - Curly Mushroom in Ceramic Cone 04 Bisque
4 W x 6 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Chevron Mug
MB-1618 Chevron Mug in Ready to Paint, Cone 04 Ceramic Bisque
5.5 W x 5.5 L x 3.75
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Charley Chick
MB-1621 Charley Chick in ready to paint, cone 04 Low-Fire Ceramic Bisque
6.75 L x 3.75 W x 8.25 H
Blossom Vase
MB1611 Blossom Vase in Ready to Paint, Cone 04 Ceramic Bisque
3.5 L x 3.5 W x 6.25 H
All of our bisque is fired to a cone 04 and is ready to paint.
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Brown - 128 oz Mayco Foundation Glaze
FN008 Brown (Gallon) Foundation Opaque Glaze by Mayco Colors
Foundations Opaque Glazes are Certified AP non-toxic and
dinnerware safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss brown finish and can be intermixed for custom colors.
Cone 6 oxidation: Color lightens. Breaks over texture.
General Use
Foundations gloss glazes were designed to mature at shelf cone
06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying
to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft
Fan.
Helpful Hints
· Foundations dry
quickly for same day firing
· Intermixable
for custom color creation
· Can be applied
to green-ware or leather-hard clay. We recommend leaving an area unglazed,
such as the back or bottom, to allow outgassing during the firing process
· Many
Foundations can be fired to higher temperatures and still maintain their
color. Check the individual color label for performance at cone 6
· Steadfast
Application - Foundations will not dissolve or pick up previous coats of
glaze
· Dries Quickly -
speeds up your ability to handle or perform additional decorating
· High Gloss Finish - does not need to be clear glazed except Foundations Matte glazes
Pink - Gallon Mayco Foundation Glaze
FN005 Pink (Gallon) Foundation Opaque Glaze by Mayco Colors
Foundations Opaque Glazes are Certified AP non-toxic and food safe.
Cone 06 oxidation: Produces a beautiful, smooth high gloss pink finish and can be intermixed for custom colors.
Cone 6 oxidation: No color change. Breaks over texture.
General Use
Foundations gloss glazes were designed to mature at shelf cone 06/05. Apply 2-3 coats, allowing surface to dry in-between coats. When applying to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft Fan.
Helpful Hints
- Foundations dry quickly for same day firing
- Intermixable for custom color creation
- Can be applied to green-ware or leather-hard clay. We recommend leaving an area unglazed, such as the back or bottom, to allow outgassing during the firing process
- Many Foundations can be fired to higher temperatures and still maintain their color. Check the individual color label for performance at cone 6
- Steadfast Application - Foundations will not dissolve or pick up previous coats of glaze
- Dries Quickly - speeds up your ability to handle or perform additional decorating
- High Gloss Finish - does not need to be clear glazed (except Foundations Matte glazes)
Speckled Orange-A-Peel - 8oz Mayco Speckled Stroke & Coat
SP-275 - Speckled Orange-A-Peel (8 ounce) Speckled Stroke n Coat by Mayco Colors..
Speckled Stroke & Coat glazes are Stroke & Coat colors with small specks of contrasting hues to add dimension and visual appeal to your creations.
General Use
One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat® glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat® glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use.
Product Features and Attributes
Speckled Stroke & Coat is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze The extraordinary tolerance and forgiveness of Stroke & Coat® allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10
Kiln Atmosphere - reduction or oxidation firing
Surface - can be applied to greenware of bisque
Body - can be applied to earthenware, stoneware or porcelain
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects
Intermixable - Speckled Stroke & Coat® glazes can be blended to create new colors
Design Integrity - can be used to created intricate, detailed designs. Colors butted against one another will not blend. Used in Majolica techniques the glaze will not move nor will it blend into the base glaze beneath it.
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color
Glossy Finish - Speckled Stroke & Coat® will fire to a gloss finish - clear glaze is not required
Wide Palette of Colors - Speckled Stroke & Coat® glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe
Speckled Pink-A-Dot - 8oz Mayco Speckled Stroke & Coat
SP-270 - Speckled Pink-A-Dot (8 ounce) Speckled Stroke n Coat by Mayco Colors..
Speckled Stroke & Coat glazes are Stroke & Coat colors with small specks of contrasting hues to add dimension and visual appeal to your creations.
General Use
One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat® glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat® glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use.
Product Features and Attributes
Speckled Stroke & Coat is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze The extraordinary tolerance and forgiveness of Stroke & Coat® allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10
Kiln Atmosphere - reduction or oxidation firing
Surface - can be applied to greenware of bisque
Body - can be applied to earthenware, stoneware or porcelain
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects
Intermixable - Speckled Stroke & Coat® glazes can be blended to create new colors
Design Integrity - can be used to created intricate, detailed designs. Colors butted against one another will not blend. Used in Majolica techniques the glaze will not move nor will it blend into the base glaze beneath it.
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color
Glossy Finish - Speckled Stroke & Coat® will fire to a gloss finish - clear glaze is not required
Wide Palette of Colors - Speckled Stroke & Coat® glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe
Speckled Silver Lining - 8oz Mayco Speckled Stroke & Coat
SP-260 - Speckled Silver Lining (8 ounce) Speckled Stroke n Coat by Mayco Colors..
Speckled Stroke & Coat glazes are Stroke & Coat colors with small specks of contrasting hues to add dimension and visual appeal to your creations.
General Use
One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat® glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat® glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use.
Product Features and Attributes
Speckled Stroke & Coat is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze The extraordinary tolerance and forgiveness of Stroke & Coat® allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10
Kiln Atmosphere - reduction or oxidation firing
Surface - can be applied to greenware of bisque
Body - can be applied to earthenware, stoneware or porcelain
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects
Intermixable - Speckled Stroke & Coat® glazes can be blended to create new colors
Design Integrity - can be used to created intricate, detailed designs. Colors butted against one another will not blend. Used in Majolica techniques the glaze will not move nor will it blend into the base glaze beneath it.
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color
Glossy Finish - Speckled Stroke & Coat® will fire to a gloss finish - clear glaze is not required
Wide Palette of Colors - Speckled Stroke & Coat® glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe
Speckled Purple Haze - 8oz Mayco Speckled Stroke & Coat
SP-253- Speckled Purple Haze (8 ounce) Speckled Stroke n Coat by Mayco Colors..
Speckled Stroke & Coat glazes are Stroke & Coat colors with small specks of contrasting hues to add dimension and visual appeal to your creations.
General Use
One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat® glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat® glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use.
Product Features and Attributes
Speckled Stroke & Coat® is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze The extraordinary tolerance and forgiveness of Stroke & Coat® allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10
Kiln Atmosphere - reduction or oxidation firing
Surface - can be applied to greenware of bisque
Body - can be applied to earthenware, stoneware or porcelain
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects
Intermixable - Speckled Stroke & Coat® glazes can be blended to create new colors
Design Integrity - can be used to created intricate, detailed designs. Colors butted against one another will not blend. Used in Majolica techniques the glaze will not move nor will it blend into the base glaze beneath it.
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color
Glossy Finish - Speckled Stroke & Coat® will fire to a gloss finish - clear glaze is not required
Wide Palette of Colors - Speckled Stroke & Coat® glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe
Featured
Fruity Freckles - 4oz Mayco Jungle Gem Crystal Glaze
CG-981 Fruity Freckles (4 ounce) Jungle Gem Crystal Glaze by Mayco Colors
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ⢠and Crystalites ⢠glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information
Helpful Hints
- Left-over crystals? Just add a complimentary Foundations® glaze.
- May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
- We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
- Stir frequently as crystals tend to settle in the jar due to their weight.
- Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
- As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
- Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".
- Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
- During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
- We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
- Crystalites⢠and Jungle Gems⢠were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher temperatures?
A: Crystal glazes, already prone to move, will move that much more at higher temperatures. The crystals will lose some of their definition and act more as a blending agent. You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in my design work?
A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.
Q: Your label states that Crystalites⢠and Jungle Gemsâ¢are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?
A: Food Safety is determined by standards established by the Food and Drug Administration (FDA). ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days. If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing. This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites⢠and Jungle Gemsâ¢.
Koi Pond - 4oz Mayco Jungle Gem Crystal Glaze
CG-983 Koi Pond (4 ounce) Jungle Gem Crystal Glaze by Mayco Colors
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ⢠and Crystalites ⢠glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information
Helpful Hints
- Left-over crystals? Just add a complimentary Foundations® glaze.
- May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
- We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
- Stir frequently as crystals tend to settle in the jar due to their weight.
- Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
- As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
- Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".
- Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
- During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
- We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
- Crystalites⢠and Jungle Gems⢠were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher temperatures?
A: Crystal glazes, already prone to move, will move that much more at higher temperatures. The crystals will lose some of their definition and act more as a blending agent. You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in my design work?
A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.
Q: Your label states that Crystalites⢠and Jungle Gemsâ¢are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?
A: Food Safety is determined by standards established by the Food and Drug Administration (FDA). ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days. If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing. This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites⢠and Jungle Gemsâ¢.
Ladybug - 4oz Mayco Jungle Gem Crystal Glaze
CG-984 Ladybug (4 ounce) Jungle Gem Crystal Glaze by Mayco Colors
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ⢠and Crystalites ⢠glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information
Helpful Hints
- Left-over crystals? Just add a complimentary Foundations® glaze.
- May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
- We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
- Stir frequently as crystals tend to settle in the jar due to their weight.
- Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
- As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
- Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".
- Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
- During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
- We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
- Crystalites⢠and Jungle Gems⢠were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher temperatures?
A: Crystal glazes, already prone to move, will move that much more at higher temperatures. The crystals will lose some of their definition and act more as a blending agent. You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in my design work?
A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.
Q: Your label states that Crystalites⢠and Jungle Gemsâ¢are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?
A: Food Safety is determined by standards established by the Food and Drug Administration (FDA). ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days. If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing. This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites⢠and Jungle Gemsâ¢.