SCXL-007 - Old Tree Stamp Large Round Stamp  

SCXL Stamps are 6 cm (2.4 inches) in diameter.   

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

MRS-003 - Zebra Stripes Mini Roller .05 cm 

MRS - Mini Rollers have a rolling design face that is .05 cm (0.2 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

MRS-017 - Basket Weave 2 Mini Roller .05 cm 

MRS - Mini Rollers have a rolling design face that is .05 cm (0.2 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

MRS-021 - Parallel Lines Mini Roller .05 cm 

MRS - Mini Rollers have a rolling design face that is .05 cm (0.2 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

MRS-022 - Wavy Lines Mini Roller .05 cm

MRS - Mini Rollers have a rolling design face that is .05 cm (0.2 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

MRS-023 - Zigzag & Triangles Mini Roller .05 cm 

MRS - Mini Rollers have a rolling design face that is .05 cm (0.2 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

MRS-024 - Zigzags Mini Roller .05 cm 

MRS - Mini Rollers have a rolling design face that is .05 cm (0.2 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

HR-058 - Dots Hand Roller

HR -  HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.

Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.

You simply roll the HR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and lightweight HR rollers are perfect for rolling vertically up the walls of a thrown pot.

BHR rollers also work great on slabs.

The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use.

Our Hand Rollers are easily cleaned with water and a soft toothbrush.

HR-070 - Chinese Windows Hand Roller

HR -  HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.

Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.

You simply roll the HR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and lightweight HR rollers are perfect for rolling vertically up the walls of a thrown pot.

BHR rollers also work great on slabs.

The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use.

Our Hand Rollers are easily cleaned with water and a soft toothbrush.

HR-069 - Zigzag Hand Roller

HR -  HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.

Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.

You simply roll the HR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and lightweight HR rollers are perfect for rolling vertically up the walls of a thrown pot.

BHR rollers also work great on slabs.

The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use.

Our Hand Rollers are easily cleaned with water and a soft toothbrush.

RS-024 - Embossed Flowers Small Handle Roller

RS - Small Handle Rollers have a rolling design face that is 1.5 cm (0.6 inch) across. 

Our Small Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RS Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RS Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

LHR-020 - Maori Spirals Long Hand Roller

LHR - Long Hand Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.

Our rollers are made from wood that is precision carved to make deep beautiful impressions. 

The rollers are also beveled carved, allowing them to release easily from clay.

LHR rollers also work great on slabs. You simply roll the LHR roller with your hand across the clay to create a beautiful pattern.  

The ends of the rollers are rounded to avoid a line along each side of the pattern.  This allows patterns to blend. 

For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.

Our rollers are finished with tung oil to ensure durability over many years of use.

Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

RL-021 - Wild Field Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-024 - Cattails Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-026 - Clematis Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-025 - Waving Flag Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RB110 10/0 Detail Liner  

Liners are the best choice for precise glaze placement.

Liners provide maximum control for the creation of delicate lines.

Reflections™Acrylic Handle Brushes were designed to prevent paint peeling and flaking off brush handles.

Careful design of Golden Taklon brush heads along with a properly balanced handle and ferrule give the user a superior ceramic brush

CB602 #2 Soft Fan Brush

Glaze Brushes: While Mayco’s glaze brushes can be used for acrylics, they are specifically designed to be used with ceramic glazes.

They are a unique blend of Taklon for strength, durability and flexibility, with natural hairs that hold and evenly flow color. 

Soft, loose structured hairs are great for blending glazes, smoothing out drips and softening edges.

Best choice for applying specialty glazes, such as crystal glazes.

EL151 Deep Water (4 ounce) Mayco Element Glaze 

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

Usage Variations & FAQs

• Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>

Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.

Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.

EL151 Deep Water (Pint) - Mayco Element Glaze

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

• Usage Variations & FAQs

  Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

  Elements
  Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
  The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
  

  Elements Chunkies
  The popular earth tone Element Glazes now come with crystals!
  During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
  
  Product Features and Attributes
  Some qualities of Elements & Elements™Chunkies glazes include:
  Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
  All are Non-Toxic.

EL 150 - Fern (4 ounce) Mayco Element Glaze 

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

Usage Variations & FAQs

• Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>

Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.

Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.

EL 150 - Fern (Pint) - Mayco Element Glaze

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

• Usage Variations & FAQs

  Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

  Elements
  Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
  The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
  

  Elements Chunkies
  The popular earth tone Element Glazes now come with crystals!
  During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
  
  Product Features and Attributes
  Some qualities of Elements & Elements™Chunkies glazes include:
  Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
  All are Non-Toxic.

CG-1001  Gogh Iris (4 ounce)  Jungle Gem Crystal Glaze by Mayco Colors 

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-1001  Gogh Iris (pint)  Jungle Gem Crystal Glaze by Mayco Colors 

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-1000 Mardi Gras (4 ounce)  Jungle Gem Crystal Glaze by Mayco Colors 

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-1000  Mardi Gras (pint)  Jungle Gem Crystal Glaze by Mayco Colors    

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-999  Jazz Notes (4 ounce)  Jungle Gem Crystal Glaze by Mayco Colors  

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-999  Jazz Notes (pint)  Jungle Gem Crystal Glaze by Mayco Colors 

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-998  Pink Pixie (4 ounce)  Jungle Gem Crystal Glaze by Mayco Colors

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-998 Pink Pixie (pint) Jungle Gem Crystal Glaze by Mayco Colors 

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

UG-218 - Pear Green (pint) Under-glaze by Mayco Colors   

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-068 - Apple Green (Pint) Underglaze by Mayco Colors  

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-093 - Wild Violet (Pint) Underglaze by Mayco Colors    

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-085 - Orange Sorbet (Pint) Underglaze by Mayco Colors   

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

MB1555 Yeti Jar in Ready to paint, Ceramic Cone 04 Bisque

6.75 L x 6.25 W x 6.75 H

All of our Ceramic Bisque has been fired to a cone 04 and is ready to decorate

MB1554 YETI Mug in Ready to Paint, Cone 04 Ceramic Bisque

5.375 L x 4.875 W x 4.31 H 

All of our Ceramic Bisque has been fired to a cone 04 and is ready to decorate

MB1557 Textured Planter (3 Designs) - in Ceramic Cone 04 Ready to Paint Bisque

5.25 L 5.25 W x 3.5 H

MB1556 Textured Bud Vases (Assorted Set of 3) in ready to paint Ceramic Bisque

Set of 3

6.24 H x 3 Dia.

Specialty Glaze, Washes and Raku Chip Board

Item #XA-187E

This Item must be Special Ordered.  Please allow up to two weeks for delivery 

RL-004 - Basket Weave Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

BHR-088 - Sedimentary Layers 2 Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

RS-011 - Tropical Fish Small Handle Roller

RS - Small Handle Rollers have a rolling design face that is 1.5 cm (0.6 inch) across. 

Our Small Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RS Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RS Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

RS-005 - Sea Shells  Small Handle Roller

RS - Small Handle Rollers have a rolling design face that is 1.5 cm (0.6 inch) across. 

Our Small Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RS Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RS Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

FSSCU - Stone Carved Upper Case Font Set

Stone Carved Upper Case Font Sets are 1.5 cm (0.6 inches) in diameter.

The actual letter varies in size on each stamp.

The font-stamps can be used to create patterns on any soft medium, including natural clay, porcelain, polymer clay, cookie dough and fondant.

Each Stamp set includes 26 Upper case stamps and an ampersand.

There is a small notch at the bottom of each letter to help make it easier to align the stamp

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

RM-021 - Art Nouveau Medium Handle Roller

RM - Medium Handle Rollers have a rolling design face that is 3 cm (1.2 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RM Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

RM-022 - Honeycomb Medium Handle Roller

RM - Medium Handle Rollers have a rolling design face that is 3 cm (1.2 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RM Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

MRX-018 - Rococo Mini Roller 2 cm  

MRX - Mini Rollers have a rolling design face that is 2 cm (0.8 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

HR-068 - Maori Spirals Hand Roller

HR -  HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.

Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.

You simply roll the HR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and lightweight HR rollers are perfect for rolling vertically up the walls of a thrown pot.

BHR rollers also work great on slabs.

The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use.

Our Hand Rollers are easily cleaned with water and a soft toothbrush.

HR-064 - Rain Hand Roller

HR -  HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.

Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.

You simply roll the HR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and lightweight HR rollers are perfect for rolling vertically up the walls of a thrown pot.

BHR rollers also work great on slabs.

The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use.

Our Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-095 - Curly Vines Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-092 - Wave Flow Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-091 - Spring Beauty Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-058 - Honeycomb Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

SG-302 Snowfall (Pint) Specialty Glaze by Mayco Colors

Snowfall is a dimension glaze that creates a white, textured surface.  It is a non-moving glaze and, as such, application methods (brushing, detailer bottle/slip trailer) have an impact on the fired result.
Product Features and Attributes                   
Non-toxic
Food safe; however not recommended for food surfaces due to surface characteristics
Application Recommendations:
Mix well. Apply 2 or more coats over unfired glazes, shelf cone 04 bisque (1060°C), greenware or clay. Can be applied with a brush or sponge. For dimensional effects, apply using a Writer Tip. Fire to shelf cone 06 (999°C) Apply with a soft brush or with a sponge

SW-178 - Fool's Gold - (brush on) Stoneware Glaze By Mayco

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-177 - Raspberry Mist (brush on) Stoneware Glaze (Cone 5) By Mayco  

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-176 Sandstone (brush on) Stoneware Glaze By Mayco  

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SD-510 - Blue Gloss Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-509 - Dark Green Gloss Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-508 - Black Gloss Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-507 - Bright Green Gloss Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.

Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-506 - Bright Blue Gloss Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.

Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-505 - Purple Gloss Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-504 - Red Gloss Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-503 - Orange Gloss Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-502 - Yellow Gloss Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.

Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-501 - White Gloss Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.

Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SW-406 - Dark Magma - (brush on) Stoneware Glaze By Mayco   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any mid range clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-403 - White Mudcrack (brush on) Stoneware Glaze By Mayco 

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any mid range clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-401 Mayco Flux in 16 oz Bottle Size

Movement • Interaction • Beauty

SW-401 Mayco Flux is a mid-range glaze that was developed to be used in combination with other mid-range glazes to produce flowing effects. Mayco Flux interacts with other glazes to create movement, bringing about "hidden" colors and visual texture.  The order in which you apply Mayco Flux - above or beneath another glaze - impacts the fired result. Designed to fire to cone 5/6, but can be fired to cone 9/10 (movement will be more pronounced at higher temperatures).

• Variables that influence movement include the fluidity of the companion glaze, application methods, thickness and orientation of application, number of coats, firing temperature and program.

• To prevent glaze run-off, avoid applying Flux to the bottom third of your ware.

SW-402 Dark Flux  (brush on) Stoneware Glaze By Mayco  

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any mid range clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SD-184 - Speckled Toad - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-183 Oxblood - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-182 Antique Brass - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not be necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-181 - Night Moth - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-179 - Muddy Waters - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-180 - Desert Dusk - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-178 Fools Gold - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not be necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-177 - Raspberry Mist - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-176 - Sandstone - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SW-509 Blue Gloss (brush on) Stoneware Glaze By Mayco

Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-182 - Antique Brass (brush on) Stoneware Glaze By Mayco

Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-509 Dark Green Gloss (brush on) Stoneware Glaze By Mayco

Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-184 Speckled Toad (brush on) Stoneware Glaze By Mayco

Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-183 - Oxblood (brush on) Stoneware Glaze (Cone 5) By Mayco   

Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-181 - Night Moth (brush on) Stoneware Glaze By Mayco  

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-180 - Desert Dusk (brush on) Stoneware Glaze By Mayco

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-179 Muddy Waters (brush on) Stoneware Glaze By Mayco

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

MB1553 Quirky Monkey - in Ready to Paint, Cone 04 Ceramic Bisque

4.875 L x 5.5 W x 6.375H 

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1552 Quirky Frog - in Ready to Paint, Cone 04 Ceramic Bisque

5.125 L x 6 W x 3.875 H 

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery