Latest
Ceramic Bisque Christmas Tree - 16-inch with base, lights and star
CCX3021 - 16-inch Christmas Tree with Base, tree lites, electrical kit and small star - in ready to paint - cone 04 Ceramic Bisque
16-inches Tall
Ceramic Bisque Artisan Bowl
CCX3151 Artisan Bowl in ready to paint, cone 04 Ceramic Bisque
Our Bisque has
been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06
3 H x 6 Dia
Cutie Heart Pottery Form
Cutie Heart 4-inch Pottery Form by GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
4-inch Heart
Use to create a small heart shaped dish
RD2 Square 9-inch Pottery Form
RD2 Square 9-inch Pottery Form by GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
9-inch Square Form with a soft edge and 2 drill holes.
Compatible with the WA2, WA2 Key or WA.
RD2 Rectangle 9 x 12-inch Pottery Form
RD2 Rectangle 9 x 12-inch Pottery Form by GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
9 x 12 Rectangle Form with a soft edge and 2 drill holes.
Compatible with the WA2, WA2 Key or WA.
RD2 Oval 9 x 12-inch Pottery Form
RD2 Oval 9 x 12-inch Pottery Form by GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
9 x 12 Oval Form with a soft edge and 2 drill holes.
Compatible with the WA2, WA2 Key or WA.
Wallie Tree Form - Large 8 x 12
Wallie Tree Form 8 x 12-inch Form by GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
Wallie means the Forms have a walled edge. 90
degrees.
Great for making straight edged pieces.
All Forms measured in inches and are 1-inch depth.
The Wallie Tree collection are available in three nesting sizes (4x8, 6x10, and 8x12).
The Wallie Tree collection creates a lovely set
of nesting dishes.
The Wallie Tree is a versatile form, perfect for beginning
and advanced potters.
These isosceles triangles are great for making gifts, party trays, and
more!
Wallie Tree Form - Medium 6x10
Wallie Tree Form 6 x 10-inch Form by GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
Wallie means the Forms have a walled edge. 90
degrees.
Great for making straight edged pieces.
All Forms measured in inches and are 1-inch depth.
The Wallie Tree collection are available in three nesting sizes (4x8, 6x10, and 8x12).
The Wallie Tree collection creates a lovely set
of nesting dishes.
The Wallie Tree is a versatile form, perfect for beginning
and advanced potters.
These isosceles triangles are great for making gifts, party trays, and
more!
Wallie Tree Form - Small 4 x 8
Wallie Tree Form 4 x 8-inch Form by GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
Wallie means the Forms have a walled edge. 90
degrees.
Great for making straight edged pieces.
All Forms measured in inches and are 1-inch depth.
The Wallie Tree collection are available in three nesting sizes (4x8, 6x10, and 8x12).
The Wallie Tree collection creates a lovely set
of nesting dishes.
The Wallie Tree is a versatile form, perfect for beginning
and advanced potters.
These isosceles triangles are great for making gifts, party trays, and
more!
Christmas Tree Form
Christmas Tree Form 6 x 7.5-inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
Our New Christmas Holliday dish
Ceramic Bisque Swirl-Twist Ornament
CCX3123 Swirl
– Twist Ornament in ready to paint, cone 04 Ceramic Bisque
Our Bisque has
been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06
3-inch Dia.
Ceramic Bisque Globe Ornament
31979 Globe
Ornament in ready to paint, cone 04 Ceramic Bisque
Our Bisque has been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06
3 Dia x 3.5 H
Ceramic Bisque Dragon Facet-ini
MB1640 - Dragon Facet-ini in Ready to Paint, Cone 04 Low Fire Ceramic Bisque
Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a
cone 06 or painted with acrylics and sealed.
5 L x 3.25 W x 4.75 H
This item
is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ceramic Bisque Unicorn Facet-ini
MB1639 - Unicorn Facet-ini in Ready to Paint, Cone 04 Low Fire Ceramic Bisque
Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a
cone 06 or painted with acrylics and sealed.
4.5 L x 4 W x 5.25 H
This item
is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ceramic Bisque Giraffe Facet-ini
MB1633 - Giraffe Facet-ini in Ready to Paint, Cone 04 Low Fire Ceramic Bisque
Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a
cone 06 or painted with acrylics and sealed.
4.75 L x 3.75 W x 5.25 H
This item
is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ceramic Bisque Lion Facet-ini
MB1638 - Lion Facet-ini in Ready to Paint, Cone 04 Low Fire Ceramic Bisque
Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a
cone 06 or painted with acrylics and sealed.
5 L x 3.5 W x 5 H
This item
is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ceramic Bisque Elephant Facet-ini
MB1637 - Elephant Facet-ini in Ready to Paint, Cone 04 Low Fire Ceramic Bisque
Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a
cone 06 or painted with acrylics and sealed.
5.25 L x 3.5 W x 4.25 H
This item
is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ceramic Bisque Round Spoon Rest
CCX3181 Round Spoon Rest in ready to paint, cone 04 Ceramic Bisque
Our Bisque has
been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06
5-1/4 Dia
Ceramic Bisque Guacamole Bowl
CCX3091 Guacamole
Bowl in ready to paint, cone 04 Ceramic Bisque
Our Bisque has
been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06
4.5 W x 2-1/4
H
Assorted Flower Dishes (Set of 4)
CCX549 Assorted
Flower Dishes (Set of 4) in ready to paint,
cone 04 Ceramic Bisque
Our Bisque has
been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06
3 Long x 4-1/4
W x 3-3/4 H
Large Spoon Rest
CCX360 Large
Spoon Rest in ready to paint, cone 04 Ceramic Bisque
Our Bisque has
been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06
11 inch Long
Ceramic Bisque Deer Mug
Deer Mug in ready to paint, cone 04, Ceramic Bisque
4.25 H x 3.5 Dia
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Margarita Glass
CCX059 Margarita Glass - in Ceramic Bisque by Duncan.
All of our bisque is fired to a cone 04 and is ready to glaze and fire to a cone 06
6-1/4 H x 4-1/4 Dia
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ceramic Bisque Cute Lion Bank
Cute Lion Bank in ready to paint, cone 04 ceramic bisque
5 inch Tall
Stoneware Potter Bowl
CXS106 Potter Bowl
6-5/8 Dia. x 2-3/4 H
Mid-Range,
Ready to Paint, Stoneware Bisque.
This bisque has been fired to a cone 04 and is ready to paint and
fire to a cone 6
Stoneware Cascade Ware Bowl
CXS102 Cascade
Ware Bowl
7-1/2 Dia. x 3 H
Mid-Range,
Ready to Paint, Stoneware Bisque.
This bisque has been fired to a cone 04 and is ready to paint and
fire to a cone 6
Ceramic Bisque T-Rex Skull
CCX4031 T-Rex Skull
4-1/4 L x 7-1/2 W x 5-3/4 H
Low Fire, Ready to Paint, Ceramic Bisque.
This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 06 or can be painted with acrylics and sprayed sealed
Unicorn Ring Dish
CCX4005
Unicorn Ring Dish
4-1/2 x
4-1/2 x 3.5 H
Low Fire,
Ready to Paint, Ceramic Bisque.
This bisque item has been fired to a cone 04 and is ready to paint and
fire to a cone 06 or can be painted with acrylics and sprayed sealed
Fineline 20 gauge single bottle applicator
FINELINE 20 GAUGE Single Bottle 1.25 ounce bottle
Top will fit all Mayco 1.25-oz bottles.
Item #5564
Fine-line
Applicators for Ceramic and Pottery
The Fine-line
Applicator is a precision applicator with an air-tight, non- clogging, cap wire
closure system. The non-clogging cap/wire design ensures the applicator and
liquid are always ready for immediate use. Various tip sizes allow most all
viscosity to be distributed through the Fine-line Applicator system. The most
popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.
There are also
four cap sizes available which offer the possibility of screwing an applicator
on an existing bottle of liquid.
Fine-line
Applicators can be easily customized for any liquid or application used in
ceramics today.
- Fine-line Applicators
are:
- Simple to Use
- Non-Clogging
- Air-tight Cap Wire Closure
- Reusable / Durable Tool
- Tips Available in Different Sizes
and Lengths
- Easy Handling Oval bottles or
"Pen like" Cylinder Bottles
- Include an easy-handling oval
bottle
- Absolutely guaranteed
- Precise - Allows for precise
placement of liquids on materials such as Paper, Canvas, Glass, Ceramics,
Wood, Metal and Fabric.
- Versatile - Can be used with a wide
variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk
Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and
Water=based Adhesives.
- Works as a drawing
tool - Able to
make Free-hand Designs, Precision Spots, and Continuous Lines
- Different Size
Dispensing Tips - Accommodates diverse liquids of varying viscosities.
- Air-Tight - With cap wire closure,
bottles remain air-tight preventing liquids from degrading or drying out.
Always ready for use, which is particularly important with liquids such as
acrylics which dry very quickly.
Fineline 20 gauge 3-pack bottle set
FINELINE 20 GAUGE 3-pack with 1 ounce bottle tubes
3 to a package
Top will fit all Mayco 1.25-oz bottles.
Item #8132
Fine-line
Applicators for Ceramic and Pottery
The Fine-line
Applicator is a precision applicator with an air-tight, non- clogging, cap wire
closure system. The non-clogging cap/wire design ensures the applicator and
liquid are always ready for immediate use. Various tip sizes allow most all
viscosity to be distributed through the Fine-line Applicator system. The most
popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.
There are also
four cap sizes available which offer the possibility of screwing an applicator
on an existing bottle of liquid.
Fine-line
Applicators can be easily customized for any liquid or application used in
ceramics today.
- Fine-line Applicators
are:
- Simple to Use
- Non-Clogging
- Air-tight Cap Wire Closure
- Reusable / Durable Tool
- Tips Available in Different Sizes
and Lengths
- Easy Handling Oval bottles or
"Pen like" Cylinder Bottles
- Include an easy-handling oval
bottle
- Absolutely guaranteed
- Precise - Allows for precise
placement of liquids on materials such as Paper, Canvas, Glass, Ceramics,
Wood, Metal and Fabric.
- Versatile - Can be used with a wide
variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk
Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and
Water=based Adhesives.
- Works as a drawing
tool - Able to
make Free-hand Designs, Precision Spots, and Continuous Lines
- Different Size
Dispensing Tips - Accommodates diverse liquids of varying viscosities.
- Air-Tight - With cap wire closure,
bottles remain air-tight preventing liquids from degrading or drying out.
Always ready for use, which is particularly important with liquids such as
acrylics which dry very quickly.
Fineline 18 gauge 3-pack bottle set
FINELINE 18 GAUGE 3-pack with 1 ounce bottle tubes
3 to a package
Top will fit all Mayco 1.25-oz bottles.
Item #8133
Fine-line
Applicators for Ceramic and Pottery
The Fine-line
Applicator is a precision applicator with an air-tight, non- clogging, cap wire
closure system. The non-clogging cap/wire design ensures the applicator and
liquid are always ready for immediate use. Various tip sizes allow most all
viscosity to be distributed through the Fine-line Applicator system. The most
popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.
There are also
four cap sizes available which offer the possibility of screwing an applicator
on an existing bottle of liquid.
Fine-line
Applicators can be easily customized for any liquid or application used in
ceramics today.
- Fine-line Applicators
are:
- Simple to Use
- Non-Clogging
- Air-tight Cap Wire Closure
- Reusable / Durable Tool
- Tips Available in Different Sizes
and Lengths
- Easy Handling Oval bottles or
"Pen like" Cylinder Bottles
- Include an easy-handling oval
bottle
- Absolutely guaranteed
- Precise - Allows for precise
placement of liquids on materials such as Paper, Canvas, Glass, Ceramics,
Wood, Metal and Fabric.
- Versatile - Can be used with a wide
variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk
Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and
Water=based Adhesives.
- Works as a drawing
tool - Able to
make Free-hand Designs, Precision Spots, and Continuous Lines
- Different Size
Dispensing Tips - Accommodates diverse liquids of varying viscosities.
- Air-Tight - With cap wire closure,
bottles remain air-tight preventing liquids from degrading or drying out.
Always ready for use, which is particularly important with liquids such as
acrylics which dry very quickly.
Fineline 15-18-20 gauge 3-pack bottle set
FINELINE with 15-18-20 GAUGE Top 3-pack with 1 ounce bottle tubes
one of each gauge bottle top.
3 to a package
Top will fit all Mayco 1.25-oz bottles.
Item #8135
Fine-line
Applicators for Ceramic and Pottery
The Fine-line
Applicator is a precision applicator with an air-tight, non- clogging, cap wire
closure system. The non-clogging cap/wire design ensures the applicator and
liquid are always ready for immediate use. Various tip sizes allow most all
viscosity to be distributed through the Fine-line Applicator system. The most
popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.
There are also
four cap sizes available which offer the possibility of screwing an applicator
on an existing bottle of liquid.
Fine-line
Applicators can be easily customized for any liquid or application used in
ceramics today.
- Fine-line Applicators
are:
- Simple to Use
- Non-Clogging
- Air-tight Cap Wire Closure
- Reusable / Durable Tool
- Tips Available in Different Sizes
and Lengths
- Easy Handling Oval bottles or
"Pen like" Cylinder Bottles
- Include an easy-handling oval
bottle
- Absolutely guaranteed
- Precise - Allows for precise
placement of liquids on materials such as Paper, Canvas, Glass, Ceramics,
Wood, Metal and Fabric.
- Versatile - Can be used with a wide
variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk
Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and
Water=based Adhesives.
- Works as a drawing
tool - Able to
make Free-hand Designs, Precision Spots, and Continuous Lines
- Different Size
Dispensing Tips - Accommodates diverse liquids of varying viscosities.
- Air-Tight - With cap wire closure,
bottles remain air-tight preventing liquids from degrading or drying out.
Always ready for use, which is particularly important with liquids such as
acrylics which dry very quickly.
Fineline 20 gauge applicator top
FINELINE 20 GAUGE GAUGE APPLICATOR TOP
3 to a package
Designed to fit Mayco 2-oz bottles.
Item #5560
Fine-line
Applicators for Ceramic and Pottery
The Fine-line
Applicator is a precision applicator with an air-tight, non- clogging, cap wire
closure system. The non-clogging cap/wire design ensures the applicator and
liquid are always ready for immediate use. Various tip sizes allow most all
viscosity to be distributed through the Fine-line Applicator system. The most
popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.
There are also
four cap sizes available which offer the possibility of screwing an applicator
on an existing bottle of liquid.
Fine-line
Applicators can be easily customized for any liquid or application used in
ceramics today.
- Fine-line Applicators
are:
- Simple to Use
- Non-Clogging
- Air-tight Cap Wire Closure
- Reusable / Durable Tool
- Tips Available in Different Sizes
and Lengths
- Easy Handling Oval bottles or
"Pen like" Cylinder Bottles
- Include an easy-handling oval
bottle
- Absolutely guaranteed
- Precise - Allows for precise
placement of liquids on materials such as Paper, Canvas, Glass, Ceramics,
Wood, Metal and Fabric.
- Versatile - Can be used with a wide
variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk
Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and
Water=based Adhesives.
- Works as a drawing
tool - Able to
make Free-hand Designs, Precision Spots, and Continuous Lines
- Different Size
Dispensing Tips - Accommodates diverse liquids of varying viscosities.
- Air-Tight - With cap wire closure,
bottles remain air-tight preventing liquids from degrading or drying out.
Always ready for use, which is particularly important with liquids such as
acrylics which dry very quickly.
Fineline 18 gauge single bottle applicator
FINELINE 18 GAUGE Single Bottle 1.25 ounce bottle
Top will fit all Mayco 1.25-oz bottles.
Item #5564
Fine-line
Applicators for Ceramic and Pottery
The Fine-line
Applicator is a precision applicator with an air-tight, non- clogging, cap wire
closure system. The non-clogging cap/wire design ensures the applicator and
liquid are always ready for immediate use. Various tip sizes allow most all
viscosity to be distributed through the Fine-line Applicator system. The most
popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.
There are also
four cap sizes available which offer the possibility of screwing an applicator
on an existing bottle of liquid.
Fine-line
Applicators can be easily customized for any liquid or application used in
ceramics today.
- Fine-line Applicators
are:
- Simple to Use
- Non-Clogging
- Air-tight Cap Wire Closure
- Reusable / Durable Tool
- Tips Available in Different Sizes
and Lengths
- Easy Handling Oval bottles or
"Pen like" Cylinder Bottles
- Include an easy-handling oval
bottle
- Absolutely guaranteed
- Precise - Allows for precise
placement of liquids on materials such as Paper, Canvas, Glass, Ceramics,
Wood, Metal and Fabric.
- Versatile - Can be used with a wide
variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk
Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and
Water=based Adhesives.
- Works as a drawing
tool - Able to
make Free-hand Designs, Precision Spots, and Continuous Lines
- Different Size
Dispensing Tips - Accommodates diverse liquids of varying viscosities.
- Air-Tight - With cap wire closure,
bottles remain air-tight preventing liquids from degrading or drying out.
Always ready for use, which is particularly important with liquids such as
acrylics which dry very quickly.
Fineline 18 gauge applicator top
FINELINE 18 GAUGE APPLICATOR TOP
3 to a package
Designed to fit Mayco 2-oz bottles.
Item #5559
Fine-line Applicators for Ceramic and Pottery
The Fine-line Applicator is a precision applicator with an air-tight, non- clogging, cap wire closure system. The non-clogging cap/wire design ensures the applicator and liquid are always ready for immediate use. Various tip sizes allow most all viscosity to be distributed through the Fine-line Applicator system. The most popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.
There are also four cap sizes available which offer the possibility of screwing an applicator on an existing bottle of liquid.
Fine-line Applicators can be easily customized for any liquid or application used in ceramics today.
- Fine-line Applicators are:
- Simple to Use
- Non-Clogging
- Air-tight Cap Wire Closure
- Reusable / Durable Tool
- Tips Available in Different Sizes and Lengths
- Easy Handling Oval bottles or "Pen like" Cylinder Bottles
- Include an easy-handling oval bottle
- Absolutely guaranteed
- Precise - Allows for precise placement of liquids on materials such as Paper, Canvas, Glass, Ceramics, Wood, Metal and Fabric.
- Versatile - Can be used with a wide variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and Water=based Adhesives.
- Works as a drawing tool - Able to make Free-hand Designs, Precision Spots, and Continuous Lines
- Different Size Dispensing Tips - Accommodates diverse liquids of varying viscosities.
- Air-Tight - With cap wire closure, bottles remain air-tight preventing liquids from degrading or drying out. Always ready for use, which is particularly important with liquids such as acrylics which dry very quickly.
Lilac - 1oz E-Z Stroke Under-Glaze
EZ112 Lilac
Dinnerware safe with clear
Cone 06: Lilac is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.
Cone 6: Lightens slightly. SW001 Stoneware Clear recommended.
Achieving the perfect look is easy with E-Z Stroke Under glazes! Their intense pigment allows for high definition and decoration on your pieces.
Create a watercolor effect with one simple stroke or add shading and depth with additional strokes.
E-Z Stroke Underglazes are ideal for airbrushing, antiquing and brushwork. They can be applied directly to greenware or bisque and layered over most underglazes, allowing the base-coat to show through. They are safe for serving food when coated with a food-safe clear glaze.
How to use E-Z Stroke Translucent Underglazes
1. Apply 1 coat for translucent designs to greenware, unfired glaze, soft-fired bisque or cone 04 bisque.
2. For rich depth and shading, apply additional coats.
3. Fire to shelf cone 04.
4. Apply Clear Glaze, stilt and fire to shelf cone 06.
5. Water clean-up.
Tips & Techniques
1. E-Z Stroke Underglazes may be applied over most underglazes, and other E-Z Stroke colors, allowing the base color to show through.
2. E-Z Stroke Underglazes work well with high fire, cone 5-6 and some to cone 10. As high results vary, we recommend firing a test piece.
3. For majolica, apply E-Z Stroke design work over unfired White Satin glaze.
4. As a pure pigment-based paint, E-Z Stroke Underglazes are the simplest form of fired color. You can use E-Z Stroke Underglazes just like watercolors, in layers of transparent/translucent, bold, pure color. And, just like watercolors, you can inter-mix all the E-Z Stroke colors. Just as for typical watercolors, these paints must be mixed with water to be applied properly to greenware or soft fired bisque for the best application. E-Z Stroke Underglazes are very fragile unfired, because when the water dries out of the pigment there are no binders holding it in place. E-Z Stroke Underglazes fires into the ware at an 04 or hotter cone, although most of the pigments will hold true up to a cone 10. This broad firing range allows artists to use E-Z Stroke Underglazes on almost all clay bodies
5. E-Z Stroke Underglazes are perfect for airbrushing.
6. Use E-Z Stroke Underglazes to tint clay slip, most glazes, fired Snow and other E-Z Stroke colors.
7. High definition and detail can be achieved by adding water to E-Z Stroke color and using a very fine brush.
Juniper Green 1-oz EZ Stroke by Duncan Colors
EZ111 - Juniper Green (1-ounce) E-Z Stroke Translucent Underglaze
Dinnerware safe with clear
Cone 06: Juniper Green is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.
Cone 6: No change. SW001 Stoneware Clear recommended
Creamsicle - 1oz E-Z Stroke Under-Glaze
EZ109 - Creamsicle (1-ounce) E-Z Stroke Translucent Underglaze
Dinnerware safe with clear
Cone 06: Creamsicle is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.
Cone 6: No change. SW001 Stoneware Clear recommended
Cool Blue - 1oz Duncan E-Z Stroke Under-Glaze
EZ110 Cool Blue Translucent Underglaze By Duncan
Dinnerware safe with clear
Cone 06 Oxidation: Cool Blue is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.
Cone 6 Oxidation: No change. SW001 Stoneware Clear recommended
Achieving the perfect look is easy with Duncan E-Z Stroke Translucent Underglazes! Their intense pigment allows for high definition and decoration on your pieces. Create a watercolor effect with one simple stroke or add shading and depth with additional strokes.
E-Z Stroke Underglazes are ideal for airbrushing, antiquing and brushwork. They can be applied directly to greenware or bisque and layered over most underglazes, allowing the basecoat to show through. They are safe for serving food when coated with a Duncan food-safe clear glaze.
How to use Duncan E-Z Stroke Translucent Underglazes
1. Apply 1 coat for translucent designs to greenware, unfired glaze, soft-fired bisque or cone 04 bisque.
2. For rich depth and shading, apply additional coats.
3. Fire to shelf cone 04.
4. Apply Clear Glaze, stilt and fire to shelf cone 06.
5. Water clean-up.
Tips & Techniques
1. E-Z Stroke Underglazes may be applied over most underglazes, including Cover-Coat and other E-Z Stroke colors, allowing the base color to show through.
2. E-Z Stroke Underglazes work well with high fire, cone 5-6 and some to cone 10. As high results vary, we recommend firing a test piece.
3. For majolica, apply E-Z Stroke design work over unfired White Satin glaze.
4. As a pure pigment-based paint, E-Z Stroke Underglazes are the simplest form of fired color. You can use E-Z Stroke Underglazes just like watercolors, in layers of transparent/translucent, bold, pure color. And, just like watercolors, you can inter-mix all the E-Z Stroke colors. Just as for typical watercolors, these paints must be mixed with water to be applied properly to greenware or soft fired bisque for the best application. E-Z Stroke Underglazes are very fragile unfired, because when the water dries out of the pigment there are no binders holding it in place. E-Z Stroke Underglazes fires into the ware at an 04 or hotter cone, although most of the pigments will hold true up to a cone 10. This broad firing range allows artists to use E-Z Stroke Underglazes on almost all clay bodies
5. E-Z Stroke Underglazes are perfect for airbrushing.
6. Use E-Z Stroke Underglazes to tint clay slip, most glazes, fired Snow and other E-Z Stroke colors.
7. High definition and detail can be achieved by adding water to E-Z Stroke color and using a very fine brush.
Cloverfield - 4-oz Mayco Jungle Gem Crystal Glaze
CG1015 Cloverfield (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Matte bright/lime green with blue, green and yellow crystals of varying sizes
Cone 6 oxidation: Base becomes glossy and darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Cloverfield - 16-oz Mayco Jungle Gem Crystal Glaze
CG1015 Cloverfield (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Matte bright/lime green with blue, green and yellow crystals of varying sizes
Cone 6 oxidation: Base becomes glossy and darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Carrot - 1oz E-Z Stroke Under-Glaze
EZ108 Carrot EZ-Stroke by Duncan
Dinnerware safe with clear
Cone 06: Carrot is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.
Cone 6: No change. SW001 Stoneware Clear recommended
Achieving the perfect look is easy with E-Z Stroke Translucent Under glazes! Their intense pigment allows for high definition and decoration on your pieces.
Create a watercolor effect with one simple stroke or add shading and depth with additional strokes.
E-Z Stroke Underglazes are ideal for airbrushing, antiquing and brushwork. They can be applied directly to greenware or bisque and layered over most underglazes, allowing the base-coat to show through. They are safe for serving food when coated with a food-safe clear glaze.
How to use E-Z Stroke Translucent Underglazes
1. Apply 1 coat for translucent designs to greenware, unfired glaze, soft-fired bisque or cone 04 bisque.
2. For rich depth and shading, apply additional coats.
3. Fire to shelf cone 04.
4. Apply Clear Glaze, stilt and fire to shelf cone 06.
5. Water clean-up.
Tips & Techniques
1. E-Z Stroke Underglazes may be applied over most underglazes, and other E-Z Stroke colors, allowing the base color to show through.
2. E-Z Stroke Underglazes work well with high fire, cone 5-6 and some to cone 10. As high results vary, we recommend firing a test piece.
3. For majolica, apply E-Z Stroke design work over unfired White Satin glaze.
4. As a pure pigment-based paint, E-Z Stroke Underglazes are the simplest form of fired color. You can use E-Z Stroke Underglazes just like watercolors, in layers of transparent/translucent, bold, pure color. And, just like watercolors, you can inter-mix all the E-Z Stroke colors. Just as for typical watercolors, these paints must be mixed with water to be applied properly to greenware or soft fired bisque for the best application. E-Z Stroke Underglazes are very fragile unfired, because when the water dries out of the pigment there are no binders holding it in place. E-Z Stroke Underglazes fires into the ware at an 04 or hotter cone, although most of the pigments will hold true up to a cone 10. This broad firing range allows artists to use E-Z Stroke Underglazes on almost all clay bodies
5. E-Z Stroke Underglazes are perfect for airbrushing.
6. Use E-Z Stroke Underglazes to tint clay slip, most glazes, fired Snow and other E-Z Stroke colors.
7. High definition and detail can be achieved by adding water to E-Z Stroke color and using a very fine brush.
Butter - 1oz E-Z Stroke Under-Glaze
EZ107 Butter
Dinnerware safe with clear
Cone 06: Butter is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.
Cone 6: No change. SW001 Stoneware Clear recommended
Achieving the perfect look is easy with E-Z Stroke Translucent Under glazes! Their intense pigment allows for high definition and decoration on your pieces.
Create a watercolor effect with one simple stroke or add shading and depth with additional strokes.
E-Z Stroke Underglazes are ideal for airbrushing, antiquing and brushwork. They can be applied directly to greenware or bisque and layered over most underglazes, allowing the base-coat to show through. They are safe for serving food when coated with a food-safe clear glaze.
How to use E-Z Stroke Translucent Underglazes
1. Apply 1 coat for translucent designs to greenware, unfired glaze, soft-fired bisque or cone 04 bisque.
2. For rich depth and shading, apply additional coats.
3. Fire to shelf cone 04.
4. Apply Clear Glaze, stilt and fire to shelf cone 06.
5. Water clean-up.
Tips & Techniques
1. E-Z Stroke Underglazes may be applied over most underglazes, and other E-Z Stroke colors, allowing the base color to show through.
2. E-Z Stroke Underglazes work well with high fire, cone 5-6 and some to cone 10. As high results vary, we recommend firing a test piece.
3. For majolica, apply E-Z Stroke design work over unfired White Satin glaze.
4. As a pure pigment-based paint, E-Z Stroke Underglazes are the simplest form of fired color. You can use E-Z Stroke Underglazes just like watercolors, in layers of transparent/translucent, bold, pure color. And, just like watercolors, you can inter-mix all the E-Z Stroke colors. Just as for typical watercolors, these paints must be mixed with water to be applied properly to greenware or soft fired bisque for the best application. E-Z Stroke Underglazes are very fragile unfired, because when the water dries out of the pigment there are no binders holding it in place. E-Z Stroke Underglazes fires into the ware at an 04 or hotter cone, although most of the pigments will hold true up to a cone 10. This broad firing range allows artists to use E-Z Stroke Underglazes on almost all clay bodies
5. E-Z Stroke Underglazes are perfect for airbrushing.
6. Use E-Z Stroke Underglazes to tint clay slip, most glazes, fired Snow and other E-Z Stroke colors.
7. High definition and detail can be achieved by adding water to E-Z Stroke color and using a very fine brush.
Asteroid - 4-oz Mayco Jungle Gem Crystal Glaze
CG1016 Asteroid (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Matte grey with black and white crystals
Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and color turns blueish grey; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Asteroid - 16-oz Mayco Jungle Gem Crystal Glaze
CG1016 Asteroid (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Matte grey with black and white crystals
Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and color turns blueish grey; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Pink Plum - 16-oz Mayco Jungle Gem Crystal Glaze
CG1014 Pink Plum (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Matte pink with purple and white crystals
Cone 6 oxidation: Base becomes glossy and lightens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and lightens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Pink Plum - 4-oz Mayco Jungle Gem Crystal Glaze
CG1014 Pink Plum (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Matte pink with purple and white crystals
Cone 6 oxidation: Base becomes glossy and lightens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and lightens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Periwinkle Sky - 4-oz Mayco Jungle Gem Crystal Glaze
CG1010 Periwinkle Sky (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Light purple with small gold and large white crystals
Cone 6 oxidation: Base darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Periwinkle Sky - 16-oz Mayco Jungle Gem Crystal Glaze
CG1010 Periwinkle Sky (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Light purple with small gold and large white crystals
Cone 6 oxidation: Base darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Papaya - 4-oz Mayco Jungle Gem Crystal Glaze
CG1013 Papaya (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Matte orange with black, orange and tan crystals
Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and color fades; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Papaya - 16-oz Mayco Jungle Gem Crystal Glaze
CG1013 Papaya (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Matte orange with black, orange and tan crystals
Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and color fades; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Haystack - 4-oz Mayco Jungle Gem Crystal Glaze
CG1012 Haystack (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Matte pale yellow with tan and orange crystals
Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and color fades; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Haystack - 16-oz Mayco Jungle Gem Crystal Glaze
CG1012 Haystack (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe
Cone 06 oxidation: Matte pale yellow with tan and orange crystals
Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and color fades; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Frosted Berries - 16-oz Mayco Jungle Gem Crystal Glaze
CG1011 Frosted Berries (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe:
Cone 06 oxidation: Matte white with large purple and small blue crystals
Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and fades to white; pink crystals fade but blue crystals remain and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Frosted Berries - 4-oz Mayco Jungle Gem Crystal Glaze
CG1011 Frosted Berries (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe:
Cone 06 oxidation: Matte white with large purple and small blue crystals
Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 Oxidation: Base becomes glossy and fades to white; pink crystals fade but blue crystals remain and melt. Enhanced mobility. Surface issues may occur.
Jungle Gems Crystal Glazes transform in the kiln when
the small pieces of glass frit burst into color and intricate patterns during
the firing process. Artists use these beautiful glazes to add dramatic,
colorful effects to their creations.
When Fired to Cone 6: Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of
glass burst into color and intricate pattern during the firing process.
Use alone for stunning effects, in glaze combination blending with Stroke
& Coats Foundations or Cobblestones or simply as an accent to your
design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to
shelf cone 04 bisque. Shake jar well and stir during the application
process. Apply 3 coats with a fan brush, allowing to dry between coats.
Avoid placing crystals towards bottom of ware to keep them from
flowing onto the kiln shelf during firing. Crystal Glazes can be fired to
higher temperatures. Review individual color label for cone 6 firing
results. The crystals in the glaze will melt when fired, which may create
a textured surface. As that surface may be difficult to properly clean if
in contact with food, we recommend crystal glazes to be used on decorative
ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with
the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green
which require a caution label, CL, due to soluble copper. Please refer to
label for specific information
Helpful Hints
·
Left-over crystals? Just add a complimentary Foundations glaze.
·
May use a complimentary Foundations as a base glaze in order to
make your crystals go further.
·
We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft
Fan, for glaze application.
·
Stir frequently as crystals tend to settle in the jar due to their
weight.
·
Store upside down with lid on securely to allow easy mixing and
even dispersion of crystals.
·
As crystals tend to flow at higher temperatures, we recommend
limiting the number of crystals on bottom third of vertical piece to avoid
glaze running onto kiln shelf.
·
Re-distribution of crystals may be required during the final coat.
Where you see the crystal is where you will see it bloom.
Application Recommendations
The
following application recommendations are based upon the original
product development intent and use for the product. Information on
alternative application methods is listed in the section Usage Variations
and FAQ's
·
Shake well prior to each application coat. The reason for
this recommendation is that the crystals will settle to the bottom of
the jar in a short period of time. If you notice the crystals settling
during an application, you can either dip your brush to the bottom of the
jar to re-dispense or attach the lid and shake vigorously.
·
During the application of the third coat of glaze you may find it
necessary to re-distribute crystals, or add crystals, on your piece to
assure balanced coverage. Use your brush to push crystals onto thinly
covered areas or dip your brush into the jar and gather crystals onto it,
then "pat" them on the sparsely covered areas.
·
We recommend a broad, soft brush, such as a CB-604 #4 or
CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help
more in the even disbursement of the crystals, thus creating a more
pleasing pattern in the fired glaze.
·
Crystalite and Jungle Gems were designed to fire to cone 06.
Higher temperature firings will change the colors from cone 06 results and
movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher
temperatures?
A: Crystal glazes, already prone to move,
will move much more at higher temperatures. The crystals will lose some
of their definition and act more as a blending agent. You'll want to be
careful about placing glaze too close to the bottom of your piece - in addition
to stilting you may want to put a tile or a piece of scrap bisque beneath the
piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in
my design work?
A: Simply apply the crystalites in the pattern
and apply as the above directions stated. Several rings of the Crystalites
placed in varied patterns are also attractive. Interesting patterns may be
obtained by placing several rings of crystals in a necklace-like placement
around the piece. The glaze may need to be strained in order to separate the
crystals for this procedure. The crystals are then applied using a brush or
small spoon in a linear necklace-like ring around the piece. This can be
several rings in sequential order or in a zigzag pattern to produce the most
pleasing effect.
Q: Your label states that Crystalites and Jungle Gems are
"Food Safe", yet you also include the statement "May not be
suitable for food surfaces due to surface characteristics?
A: Food Safety is determined by standards
established by the Food and Drug Administration (FDA). ASTM method C-738
and C-927-80 are "leach tests"; the tests involve measuring the
chemical composition of an acidic food before exposure to a glazed surface and
the chemical composition after a several days. If the levels of glaze
materials found in the food are below the established limits, the glaze can be
marketed as "Food Safe." Glazes that create dimensional surfaces
also create crevices and nooks that can trap food - even after washing.
This food can develop bacterial growth and cause health issues. Our
policy is to discourage the use of textural glazes on ware that is intended for
food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems
Super Star 13 inch Bat
13 x 3/8 HDPE (Blue) Plastic Super Star Bat
Key Benefits
- Longest Life
- Water Proof
- Releases Clay Easily
- Light Crinkled Textured Finish
HDPE (Blue) Plastic Bats are 3/8 inch thick with a textured finish on
both sides to hold and release clay more easily. Standard drill is two holes 10
inch center-to-center to fit Brent, new Pacificia, Soldner and many others.
Universal Bat System with 9 inserts
13 inch Universal Bat System with 9 inserts
Key Benefits
- Saves Shelf Space
- Inserts Remove Easily, But Fit Snuggly
- Great for Throwing Pieces With A Small "Footprint"
The Universal Insert Bat System, saves a great amount of shelf space when making pieces with a small "footprint". The outer bat is 1/2 inch thick Medex and the inserts are 1/4 inch thick which fit flush with the top of the outer bat. The inserts in 13 inch bats are 5-1/2 x 5-1/2 inches. Inserts remove easily yet fit snugly enough that the cavity stays free of clay and slurry.
Universal Bat Inserts
5 1/2 x 5 1/2 x1/4 Forever Insert Bats for universal bat system (Ctn. of 12)
Key Benefits
- Saves Shelf Space
- Inserts Remove Easily, But Fit Snuggly
- Great for Throwing Pieces With A Small "Footprint"
The Universal Insert Bat System, saves a great amount of shelf space when making pieces with a small "footprint". The outer bat is 1/2 inch thick Medex and the inserts are 1/4 inch thick which fit flush with the top of the outer bat. The inserts in 13 inch bats are 5-1/2 x 5-1/2 inches. Inserts remove easily yet fit snugly enough that the cavity stays free of clay and slurry.
Super Star 15 inch Bat
15 x 3/8 HDPE (Blue) Plastic Super Star Bat
Key Benefits
- Longest Life
- Water Proof
- Releases Clay Easily
- Light Crinkled Textured Finish
HDPE (Blue) Plastic Bats are 3/8 inch thick with a textured finish on
both sides to hold and release clay more easily. Standard drill is two holes 10
inch center-to-center to fit Brent, new Pacificia, Soldner and many others.
Iron Star Bat - 21 inch
21 x 3/8 Iron Star Medex Bat
Iron Star Bats are a 3/8-inch-thick wood product without formaldehyde. Handles clay like wood or Forever bats.
Water-proof, no warping and extremely strong.
Will not degrade like particle board. More expensive but PERMANENT
Key Benefits
- Non-Warping
- Water-Proof
- Extremely Strong
Medex Construction
21-inch Round Bat
Iron Star Bat - 18 inch
18 x 3/8 Iron Star Medex Bat
Iron Star Bats are a 3/8-inch-thick wood product without formaldehyde. Handles clay like wood or Forever bats.
Water-proof, no warping and extremely strong.
Will not degrade like particle board. More expensive but PERMANENT
Key Benefits
- Non-Warping
- Water-Proof
- Extremely Strong
Medex Construction
18-inch Round Bat
Iron Star Bat - 15 inch
15 x 3/8 Iron Star Medex Bat
Iron Star Bats are a 3/8-inch-thick wood product without formaldehyde. Handles clay like wood or Forever bats.
Water-proof, no warping and extremely strong.
Will not degrade like particle board. More expensive but PERMANENT
Key Benefits
- Non-Warping
- Water-Proof
- Extremely Strong
Medex Construction
15-inch Round Bat
Iron Star Bat - 13 inch
13 x 3/8 Iron Star Medex Bat
Iron Star Bats are a 3/8-inch-thick wood product without formaldehyde. Handles clay like wood or Forever bats.
Water-proof, no warping and extremely strong.
Will not degrade like particle board. More expensive but PERMANENT
Key Benefits
- Non-Warping
- Water-Proof
- Extremely Strong
Medex Construction
13-inch Round Bat
Forever Bat - 15 inch
15 x 1/4 Forever Bat
Key Benefits
- Long Life
- Water Resistant
- Least Expensive
Forever bats are 1/4 inch thick, smooth on both sides. Standard drill is two holes 10 inch center-to-center to fit Brent, New Pacificia, Soldner and many others.
Wood & Resin Construction
15 Round Bat
Forever Bat - 13 inch
13 x 1/4 Forever Bat
Key Benefits
- Long Life
- Water Resistant
- Least Expensive
Forever bats are 1/4 inch thick, smooth on both sides. Standard drill is two holes 10 inch center-to-center to fit Brent, New Pacificia, Soldner and many others.
Wood & Resin Construction
13-inch Round Bat
The Steve Tool
The Steve Tool by MKM Pottery Tools
The Steve Tool is a texture application tool. One tool can be configured in many ways for different texture results. Textured surfaces can add another layer of interest to your thrown and slab forms.
Daisy with Leaves
SCS-198- Daisy with Leaves Small Round Stamp
SCM Stamps are 1.5 cm (0.6 inch) in diameter.
Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.
Our Stamps are made from wood that is precision carved to make deep beautiful impressions.
The Stamps are also bevel carved, allowing them to release easily from clay.
Our Stamps are finished with tung oil to ensure durability for many years of use.
All our Stamps are easily cleaned with water and a soft toothbrush.
Cone Flower
SCM-287 - Cone Flower Medium Round Stamp
SCM Stamps are 2.5 cm (1 inch) in diameter.
Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.
Our Stamps are made from wood that is precision carved to make deep beautiful impressions.
The Stamps are also bevel carved, allowing them to release easily from clay.
Our Stamps are finished with tung oil to ensure durability for many years of use.
All our Stamps are easily cleaned with water and a soft toothbrush.
Latte Art
SCM-286 - Latte Art Medium Round Stamp
SCM Stamps are 2.5 cm (1 inch) in diameter.
Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.
Our Stamps are made from wood that is precision carved to make deep beautiful impressions.
The Stamps are also bevel carved, allowing them to release easily from clay.
Our Stamps are finished with tung oil to ensure durability for many years of use.
All our Stamps are easily cleaned with water and a soft toothbrush.
Monstera Leaf
SCM-282 - Monstera Leaf Medium Round Stamp
SSM Stamps are 3 x 3 cm (1.2 x 1.2 inches) square.
Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.
Our Stamps are made from wood that is precision carved to make deep beautiful impressions.
The Stamps are also bevel carved, allowing them to release easily from clay.
Our SSM Stamps have designs on each end, Stamps above a 100 have an embossed and debossed design.
Our Stamps are finished with tung oil to ensure durability for many years of use.
All our Stamps are easily cleaned with water and a soft toothbrush.
Leaves on a Branch
SCM-276 - Leaves on a Branch Medium Round Stamp
SSM Stamps are 3 x 3 cm (1.2 x 1.2 inches) square.
Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.
Our Stamps are made from wood that is precision carved to make deep beautiful impressions.
The Stamps are also bevel carved, allowing them to release easily from clay.
Our SSM Stamps have designs on each end, Stamps above a 100 have an embossed and debossed design.
Our Stamps are finished with tung oil to ensure durability for many years of use.
All our Stamps are easily cleaned with water and a soft toothbrush.
Daisy with Leaves
SCM-270 - Daisy with Leaves Medium Round Stamp
SSM Stamps are 3 x 3 cm (1.2 x 1.2 inches) square.
Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.
Our Stamps are made from wood that is precision carved to make deep beautiful impressions.
The Stamps are also bevel carved, allowing them to release easily from clay.
Our SSM Stamps have designs on each end, Stamps above a 100 have an embossed and debossed design.
Our Stamps are finished with tung oil to ensure durability for many years of use.
All our Stamps are easily cleaned with water and a soft toothbrush.
Bouquet of Flowers
SCM-269 Bicycle Medium Round Stamp
SSM Stamps are 3 x 3 cm (1.2 x 1.2 inches) square.
Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.
Our Stamps are made from wood that is precision carved to make deep beautiful impressions.
The Stamps are also bevel carved, allowing them to release easily from clay.
Our SSM Stamps have designs on each end, Stamps above a 100 have an embossed and debossed design.
Our Stamps are finished with tung oil to ensure durability for many years of use.
All our Stamps are easily cleaned with water and a soft toothbrush.
Wandering Waves
BHR-160 - Wandering Waves Big Hand Roller
BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend.
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our Hand Rollers are easily cleaned with water and a soft toothbrush.
Plum Blossoms
BHR-159 - Plum Blossoms Big Hand Roller
BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend.
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our Hand Rollers are easily cleaned with water and a soft toothbrush.
Zigzag Layered
BHR-158 - Zigzag Layered Big Hand Roller
BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend.
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our Hand Rollers are easily cleaned with water and a soft toothbrush.
Ceramic Bisque Tall Corn Pumpkin
MB1631 Tall Corn Pumpkin in ready to paint, cone 04, Ceramic Bisque by Mayco Colors
5.25 L x 5 W x 8 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ceramic Bisque Snail Planter
MB1629 Snail Planter in Ceramic Cone 04 Bisque By Mayco Colors
7.5L x 5.5 W x 4.75 T
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ceramic Bisque Small Tree Silhouette
MB1636 Small Tree Silhouette in ready to paint, cone 04, Ceramic Bisque by Mayco Color
6.5 L x 2 W x 9 H
you are purchasing an un-finished, ready to paint, piece of pottery
Ceramic Bisque Small Jolly Christmas Tree
MB1634 Small Jolly Christmas Tree in Ceramic Cone 04 Bisque by Mayco Colors
6.75 x 2 W x 9 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ceramic Bisque Short Corn Pumpkin
MB1632 Short Corn Pumpkin in ready to paint, cone 04, Ceramic Bisque by Mayco Colors
5.5 L x 5.25 W x 6 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ceramic Bisque Owl Planter
MB1630 Owl Planter in Ceramic Cone 04 Bisque By Mayco Colors
5.5 L x 5.75 W x 5.5 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Ceramic Bisque Large Tree Silhouette
MB1635 Large Tree Silhouette in ready to paint, cone 04, Ceramic Bisque by Mayco Color
7.75 L x 2.55 W x 12 H
you are purchasing an un-finished, ready to paint, piece of pottery
Feathers Stamp Set by Spectrum
Feathers Stamp Tool Set by Spectrum
2-inch
All of the stamps have a graduated angle of penetration
that makes for easier cutting into the clay and an easier release they you get
with other stamps. The result is a clear, clean impression in the
clay.
Our stamps do not leave lines on the edges. You can
make your impressions as deep as you like without any telltale borders or messy
lines.
Each set of stamps comes with a wooded handle for ease of use.
White 1100 Series Opaque Glaze by Spectrum
1118 White 1100 Series Cone 4-6 Opaque Gloss Glaze by Spectrum
16-ounce container
AP, Non-Toxic, Dinnerware Safe
The Cone Stoneware Reactive Glazes are all lead-Free
and dinnerware safe.
They are formulated
to produce interesting and beautiful effects after firing.
Their final appearance can be affecting by different clay bodies and also the
presence or layering of other glazes.
Due to the sensitivity of these
glazes, Cone 5 is our recommended firing temperature.
Wasabi Shino Glaze by Spectrum
1404 Wasabi Shino Glaze by Spectrum
16-ounce container
AP, Non-Toxic, Dinnerware Safe
The Cone 4/6 Shino Glazes are all lead-free and dinnerware safe.
Some have a health label due to the presence of zinc or copper.
They require 2 to 3 coats for full coverage.
At cone 5 the shinos produce a satiny matte finish.
When fired to cone 6, they become glossier and the breaking effects of the colors become more pronounced.
Walnut Brown Ceramic Stain by Spectrum Glazes
2015-Q Walnut Brown Ceramic Stain by Spectrum
1/4-lbs container
AP, non-toxic, Dinnerware Safe
Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.
They are suitable for a large range of temperatures, from Cone 06 to Cone 10.
Vanadium Yellow Ceramic Stain by Spectrum Glazes
2022-Q Vanadium Yellow Ceramic Stain by Spectrum
1/4-lbs container
AP, non-toxic, Dinnerware Safe
Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.
They are suitable for a large range of temperatures, from Cone 06 to Cone 10.
Twilight Floating Glaze by Spectrum
1433 TWILIGHT Floating Glaze by Spectrum
16-ounce container
AP, non-toxic, Dinnerware Safe
The Cone 4/6 Floating Glazes are all lead-free and dinnerware safe.
They require 2-3 coats for full coverage.
Samples are at Cone 5 and changes in temperature can produce variations on the
appearance
Turquoise Ceramic Stain by Spectrum Glazes
2040-Q Turquoise Ceramic Stain by Spectrum
1/4-lbs container
AP, non-toxic, Dinnerware Safe
Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.
They are suitable for a large range of temperatures, from Cone 06 to Cone 10.
Transparent 1100 Series Opaque Glaze by Spectrum
1100 Transparent 1100 Series Cone 4-6 Opaque Gloss Glaze by Spectrum
16-ounce container
AP, Non-Toxic, Dinnerware Safe
The Cone Stoneware Reactive Glazes are all lead-Free
and dinnerware safe.
They are formulated
to produce interesting and beautiful effects after firing.
Their final appearance can be affecting by different clay bodies and also the
presence or layering of other glazes.
Due to the sensitivity of these
glazes, Cone 5 is our recommended firing temperature.
Thin Spirals Stamp Set by Spectrum
Thin Spirals Stamp Tool Set by Spectrum
0.6 x 0.6
All of the stamps have a graduated angle of penetration
that makes for easier cutting into the clay and an easier release they you get
with other stamps. The result is a clear, clean impression in the
clay.
Our stamps do not leave lines on the edges. You can
make your impressions as deep as you like without any telltale borders or messy
lines.
Each set of stamps comes with a wooded handle for ease of use.
Texture Topaz 1100 Series Opaque Textured Glaze by Spectrum
1161 Texture Topaz 1100 Series Cone 4-6 Opaque Textured Glaze by Spectrum
16-ounce container
CL, Health Label, Dinnerware Safe
The Cone Stoneware Reactive Glazes are all lead-Free
and dinnerware safe.
They are formulated
to produce interesting and beautiful effects after firing.
Their final appearance can be affecting by different clay bodies and also the
presence or layering of other glazes.