2024 Mayco Specialty Glaze Color Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-480E

Downloadable Brochure Link

2025 Mayco Specialty Glaze Brochure

Mayco Stoneware Color Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-508E

Downloadable Color Brochure Link

2025 Mayco Stoneware Brochure

Mayco Jungle Gems Color Guide

Low-Fire and Mid-range Combo Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-502E

Downloadable Color Brochure Link

2025 Mayco Jungle Gems Low-Fire Color Brochure

2025 Mayco Jungle Gems Mid-Range Color Brochure

Mayco Fundamentals Underglaze Color Guide

Low-Fire and Mid-range Combo Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-507E

Downloadable Color Brochure Link

2025 Mayco Fundamental Underglaze Low-Fire Color Brochure

2025 Mayco Fundamental Underglaze Mid-Range Color Brochure

Mayco Elements Color Guide

Low-Fire and Mid-range Combo Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-512E

Downloadable Brochure Link

Elements Low-Fire Glaze Brochure

Elements Mid-Fire Glaze Brochure

Mayco Glazing Techniques Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-513

Downloadable Brochure Link

Mayco Glazing Techniques

2025 Mayco Stroke & Coat Color Guide

Low-Fire and Mid-Range Combination Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-501

Downloadable Brochure Link

2025 Stroke & Coat - Low-Fire Color Brochure

2025 Stroke & Coat - Mid-Range Color Brochure

2024 Mayco Foundations Color Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-495E

Downloadable Color Brochure Link

2025 Mayco Foundations Glaze Brochure

2025 Mayco Color Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-514

Downloadable Brochure Link

2025 MAYCO Color Guide

SM-63 - Yellow - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Yellow is an opaque, buttery gold glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-51 - Red - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Red is an opaque, buttery scarlet glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-68 - Orange Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Orange is an opaque, buttery orange glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-46 - Moss - Mid Range Satin Matte Glaze in Pint Size Container

Moss is a deep forest green, matte glaze with a hint of olive in the final color.

Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-42 - Mint - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Mint is an opaque, buttery light green glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-60 - Goldenrod - Mid Range Satin Matte Glaze in Pint Size Container

Goldenrod is a rich, deep yellow matte glaze like a summer flower.

Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-44 - Chartreuse - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Chartreuse is an opaque, buttery pea-green glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-53 - Cayenne - Mid Range Satin Matte Glaze in Pint Size Container

Cayenne is a spicy and warm red satin glaze with an earthy undertone.

Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-27 - Teal - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Teal is an opaque, buttery blue-green glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-24 - Seafoam - Mid Range Satin Matte Glaze in Pint Size Container

Seafoam embodies the serene beauty of the ocean, bringing a sense of calm and sophistication to any pottery creation.

Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-11 - Satin Matte White - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte White is an opaque, buttery white glaze accentuates textured ware and boasts a classic art deco appearance.

Add SM-11 to other Satin Matte glazes to created tinted colors.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-03 - Marble - Mid Range Satin Matte Glaze in Pint Size Container

Marble is a pale gray satin glaze, just a whisper of color like the polished marble it's inspired by. 

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-20 - Light Blue - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Light Blue is an opaque, buttery robin's egg blue glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-21 - Dark Blue - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Dark Blue is an opaque, buttery cobalt glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-10 - Clear Matte - Mid Range Satin Matte Glaze in Pint Size Container

Clear Satin is a smooth, buttery zinc-free clear glaze that accentuates textured ware and boasts a classic art deco appearance. Add SM-10 to other Satin Matte colors to create softer tones.

Use 2 coats over underglazes for a more translucent result. Zinc-free.

Some underglaze colors may be muted with SM-10 Clear Satin:

• V-370 Velour Black
• V-361 Jet Black
  
• V-316 Light Pink

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-29 - Blue Green - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Blue Green is an opaque, buttery deep teal glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-02 - Stone - Mid Range Satin Matte Glaze in Pint Size Container

Stone is a dark taupe satin glaze, smooth as a weathered rock. 

Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-60 Sunbeam - Mid Range Potters Choice Flux Glaze in Pint Size Container

Sunbeam is a radiant golden-yellow with subtle gradations of amber and honey. Great for layering with other glazes as a base or top coat. Beautiful on any color of clay.

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO Gum Solution if needed. Apply 3 even coats of glaze to Cone 04 bisque. (Let the glaze dry between coats.)

Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-63 Sun Shower - Mid Range Potters Choice Flux Glaze in Pint Size Container

Sun Shower is a pale yellow interspersed with fine, dark speckles. It breaks across textured surfaces and develops a warm blush float when thick. Great for layering with other glazes as a base or top coat.

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO Gum Solution if needed.
Apply 3 even coats of glaze to Cone 04 bisque. (Let the glaze dry between coats.)

Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-36 Rose Mist - Mid Range Potters Choice Flux Glaze in Pint Size Container

Rose Mist features a soft, blush-pink base, with subtle hints of lavender and white swirls. Great for layering with other glazes as a base or top coat. Beautiful on any color of clay.

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO Gum Solution if needed. Apply 3 even coats of glaze to Cone 04 bisque.

(Let the glaze dry between coats.)

Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-21 Ocean Drift - Mid Range Potters Choice Flux Glaze in Pint Size Container

Ocean Drift is a calming blue color, interspersed with fine, dark speckles that add texture and visual interest. Great for layering with other glazes as a base or top coat. Beautiful on any color of clay. 

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO® Gum Solution if needed. Apply 3 even coats of glaze to Cone 04 bisque. (Let the glaze dry between coats.) Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-33 Mystic Tide Mid Range Potters Choice Flux Glaze in Pint Size Container

Mystic Tide is earthy green, highlighted by a subtle, mottled texture that adds depth and complexity to the surface. Great for layering with other glazes as a base or top coat. Beautiful on any color of clay.

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO Gum Solution if needed. Apply 3 even coats of glaze to Cone 04 bisque.

(Let the glaze dry between coats.)

Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-16 Aurora Breeze - Mid Range Potters Choice Flux Glaze in Pint Size Container

Aurora Breeze is a hazy pink glaze with hints of blue and purple and dark speckles. It breaks across textured surfaces, developing a warm blush float when thick. Great for layering with other glazes as a base or top coat. Beautiful on any color of clay.

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO Gum Solution if needed. Apply 3 even coats of glaze to Cone 04 bisque.

(Let the glaze dry between coats.)

Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-01 - Black - Mid Range Satin Matte Glaze in Pint Size Container

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SW-425 Black Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

SW-424 Blue Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

SW-423 Slime Green Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

SW-422 Hot Pink Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

SW-421 Yellow Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

SW-420 White Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

FR-025 Finger Roller – Monster Teeth

The monster teeth Finger Roller has a rolling design face that is 0.8 cm (8 mm) across. The Finger Roller is beautifully carved, has unique designs, releases well, and has a smooth carved texture. Roll the FR roller across the clay with your thumb and pointer finger to create a continuous pattern. The Monster Teeth Finger Roller is designed to roll across the clay to create straight lines, curvy lines, and borders.

MKM wood tools are finished with oil to ensure durability over many years of use. The rollers are easily cleaned with water and a soft toothbrush. As with all wood tools, don’t let them sit in water for long periods of time.

FR-021 Finger Roller – Row of Dots

The Row of Dots Finger Roller has a rolling design face that is 0.8 cm (8 mm) across. The Finger Roller is beautifully carved, has unique designs, releases well, and has a smooth carved texture. Roll the FR roller across the clay with your thumb and pointer finger to create a continuous pattern. The Row of Dots Finger Roller is designed to roll across the clay to create straight lines, curvy lines, and borders.

MKM wood tools are finished with oil to ensure durability over many years of use. The rollers are easily cleaned with water and a soft toothbrush. As with all wood tools, don’t let them sit in water for long periods of time.

FR-020 Finger Roller – Lines and Dots

The Lines and Dots Finger Roller has a rolling design face that is 0.8 cm (8 mm) across. The Finger Roller is beautifully carved, has unique designs, releases well, and has a smooth carved texture. Roll the FR roller across the clay with your thumb and pointer finger to create a continuous pattern. The Lines and Dots Finger Roller is designed to roll across the clay to create straight lines, curvy lines, and borders.

MKM wood tools are finished with oil to ensure durability over many years of use. The rollers are easily cleaned with water and a soft toothbrush. As with all wood tools, don’t let them sit in water for long periods of time.

FR-013 Finger Roller – Waves

The Waves Finger Roller has a rolling design face that is 0.8 cm (8 mm) across. The Finger Roller is beautifully carved, has unique designs, releases well, and has a smooth carved texture. Roll the FR roller across the clay with your thumb and pointer finger to create a continuous pattern. The Waves Finger Roller is designed to roll across the clay to create straight lines, curvy lines, and borders.

MKM wood tools are finished with oil to ensure durability over many years of use. The rollers are easily cleaned with water and a soft toothbrush. As with all wood tools, don’t let them sit in water for long periods of time.

FR-012 Finger Roller – Greek Key Spiral

The Greek Key Spiral Finger Roller has a rolling design face that is 0.8 cm (8 mm) across. The Finger Roller is beautifully carved, has unique designs, releases well, and has a smooth carved texture. Roll the FR roller across the clay with your thumb and pointer finger to create a continuous pattern. The Greek Key Spiral Finger Roller is designed to roll across the clay to create straight lines, curvy lines, and borders.

MKM wood tools are finished with oil to ensure durability over many years of use. The rollers are easily cleaned with water and a soft toothbrush. As with all wood tools, don’t let them sit in water for long periods of time.

FR-010 Finger Roller – Vine with Leaves and Flowers

The Vine with Leaves and Flowers Finger Roller has a rolling design face that is 0.8 cm (8 mm) across. The Finger Roller is beautifully carved, has unique designs, releases well, and has a smooth carved texture. Roll the FR roller across the clay with your thumb and pointer finger to create a continuous pattern. The Vine with Leaves and Flowers Finger Roller is designed to roll across the clay to create straight lines, curvy lines, and borders.

MKM wood tools are finished with oil to ensure durability over many years of use. The rollers are easily cleaned with water and a soft toothbrush. As with all wood tools, don’t let them sit in water for long periods of time.

FR-007 Finger Roller – Twine

The twine Finger Roller has a rolling design face that is 0.8 cm (8 mm) across. The Finger Roller is beautifully carved, has unique designs, releases well, and has a smooth carved texture. Roll the FR roller across the clay with your thumb and pointer finger to create a continuous pattern. The twine Finger Roller is designed to roll across the clay to create straight lines, curvy lines, and borders.

MKM wood tools are finished with oil to ensure durability over many years of use. The rollers are easily cleaned with water and a soft toothbrush. As with all wood tools, don’t let them sit in water for long periods of time.

FR-006 Finger Roller – Daisy

The daisy Finger Roller has a rolling design face that is 0.8 cm (8 mm) across. The Finger Roller is beautifully carved, has unique designs, releases well, and has a smooth carved texture. Roll the FR roller across the clay with your thumb and pointer finger to create a continuous pattern. The daisy Finger Roller is designed to roll across the clay to create straight lines, curvy lines, and borders.

MKM wood tools are finished with oil to ensure durability over many years of use. The rollers are easily cleaned with water and a soft toothbrush. As with all wood tools, don’t let them sit in water for long periods of time.

FR-005 Finger Roller – Rope

The rope Finger Roller has a rolling design face that is 0.8 cm (8 mm) across. The Finger Roller is beautifully carved, has unique designs, releases well, and has a smooth carved texture. Roll the FR roller across the clay with your thumb and pointer finger to create a continuous pattern. The rope Finger Roller is designed to roll across the clay to create straight lines, curvy lines, and borders.

MKM wood tools are finished with oil to ensure durability over many years of use. The rollers are easily cleaned with water and a soft toothbrush. As with all wood tools, don’t let them sit in water for long periods of time.

FR-001 Finger Roller – Dots

The dots Finger Roller has a rolling design face that is 0.8 cm (8 mm) across. The Finger Roller is beautifully carved, has unique designs, releases well, and has a smooth carved texture. Roll the FR roller across the clay with your thumb and pointer finger to create a continuous pattern. The dots Finger Roller is designed to roll across the clay to create straight lines, curvy lines, and borders.

MKM wood tools are finished with oil to ensure durability over many years of use. The rollers are easily cleaned with water and a soft toothbrush. As with all wood tools, don’t let them sit in water for long periods of time.

V-391 Intense Yellow - Velvet Underglaze in 2-ounce Size Container 

Intense Yellow Velvet Underglaze is a bright pineapple color that is vivid at cone 05, deepens at cone 5, and is the deepest and most intense at cone 10.

A clear glaze deepens the color of the underglaze significantly at any temperature..

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-388 Radiant Red - Velvet Underglaze in 2-ounce Size Container 

Radiant Red Velvet Underglaze is a bright scarlet color that is vivid at cone 05, deepens at cone 5, and becomes a slightly glossy, deep fire-engine red at cone 10.

A clear glaze accentuates the color of the underglaze nicely at any temperature.

.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SCXL-061 Spiral Star Extra Large Round Stamp

SCXL Stamps are 6 cm (2.4 inches) in diameter. 

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SCXL-060 Herons in Cattails Extra Large Round Stamp

SCXL Stamps are 6 cm (2.4 inches) in diameter. 

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SCL-046 - Tri-Leaf Large Round Stamp

SCL Stamps are 4 cm (1.5 inches) in diameter. 

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

RL-048 Coneflower Field Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-046 Joshua Tree Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-045 Reindeer Christmas Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

BHR-155 - Topographic Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-071 - Blooming Chrysanthemum Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-052 - Chrysanthemum Big Hand Roller

BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

SW-003 - Stoneware Crackle Matte Clear (brush on) Stoneware Glaze by Mayco   

SW-003 Crackle Matte Clear was developed for mid-range firing temperatures where a fine crackle pattern will develop with 2-3 coats.

Cone 6 oxidation (larger image): Crackle Matte Clear is a soft matte, semi-transparent glaze that develops a fine crackle pattern.

Cone 10 reduction (smaller image): No Change.

TIP: A minimum of two coats are needed to develop a crackle pattern. To highlight the crackle pattern, after firing, wipe black acrylic or ink over the ware and wipe off, allowing the ink to fill the cracks.

Kemper Ceramic Tools
PTM95 Pro-Line M Trim Tool 3/16 Square

Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.

Kemper Ceramic Tools

PTM60 Pro-Line M Trim Tool 3/8 DIA PIE

Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.

Kemper Ceramic Tools

PTM55 Pro-Line M Trim Tool 3/16 Sm. Triangle

Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.

Kemper Ceramic Tools

PTM50 Pro-Line M Trim Tool 1/4 Triangle

Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.

Kemper Ceramic Tools
PTM30 Pro-Line M Trim Tool 1/8 Oval

Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.

CCX-996 16OZ PLAIN MUG - Ready to Paint Ceramic Mug by Duncan

4.25 x 3.5 x 5

E-Z  Stroke Translucent Underglaze Kit

EZKIT-1 includes 1 each of the following in 1-ounce jars

EZ013 White
EZ101 Neon Yellow
EZ058 Poppy Orange
EZ075 Passion Red
EZ030 Rose
EZ050 Plum Purple
EZ023 Midnight Blue
EZ027 Blue Turquoise
EZ024 Royal Blue Green
EZ028 Leaf Green
EZ010 French Brown
EZ012 Cobalt Jet Black

Duncan Bisq-Stain Opaque Acrylics Kit

OSKIT1 

Contains 12 2oz. jars of the most popular Duncan Bisq-Stain Opaque Acrylics.

• OS431 White
• OS435 Dark Yellow
• OS438 Orange Peel
• OS483 Real Red
• OS444 Light Pink
• OS459 Bright Blue
• OS469 Light Turquoise
• OS488 Christmas Green
• OS452 Purple
• OS441 Cargo Pants
• OS489 Saddle Brown
• OS476 Black

You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.

Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.

How to use Duncan® Bisq-Stain® Opaque Acrylics

1. Apply 1 or more good, smooth coats.

2. Thin with water or Thin 'n Shade if needed.

3. Clean up with water.

4. Seal with ceramic spray or brush-on sealer.

Tips & Techniques

1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.

2. Bisq-Stain Opaque Acrylics work great for air brushing

Fundamentals Underglaze Assortment Kit by Mayco Colors

UG-KT1

Contains 12 - 16-ounce jars of the best selling Fundamentals Underglazes

Includes:
UG-51 China White
UG-46 Bright Yellow
UG-204 Orange
UG-206 Fire Engine Red
UG-208 Dragon Red
UG-87 Regal Purple
UG-97 Bright Blue
UG-1 Kings Blue
UG-68 Apple Green
UG-21 Leaf Green
UG-31 Chocolate
UG-50 Jet Black

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

WC886 B MIX/GROG PAPER ^10 MOIST CLAY

Cone 10 B-Mix clay with the addition of a very fine grog; provides a smooth fired texture and light speckling.

Has the plastic nature and glaze friendly creamy color of B-Mix with Grog and all the added qualities of paper clay. It is a great choice for sculptural vessels and has the positive throwing qualities you expect from B-Mix with Grog.


Characteristics
Cone: 10
Wet Color: Cream
Fire Color
Oxidation: Off-White
Reduction: Gray-White
Texture: Slightly Coarse
Pentrometer Target: 7
Avg. Shrinkage ±2%: 11%
Avg. Water Absorption ±1%: 5%
COE x 10-6: 6.42

Application: 

Wall Tile, Jewelry, Sculpture, Throwing Large, Throwing Medium, Throwing Small, Hand Building Large, Hand Building Medium, Hand Building Small

SD515 Aqua Gloss Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Cone 6 results: Aqua Gloss is a highly pigmented, gloss glaze. The highly stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures.

Cone 10 reduction: Color shifts to baby blue. Remains stable.

Tip: Can be mixed with other Stoneware Gloss glazes (SW500 series) to produce additional stable and opaque colors. Layer design work with other Stoneware Gloss series colors to create crisp images that won’t blur or require clear glaze.

Stoneware Gloss Glazes can be used in design, all over coverage and are the ideal product for intermix ability at mid-range and high-fire temperatures. The integrity of your design will remain unchanged as these glazes are incredibly stable and will not move or combine with surrounding colors.

Tip: Can be mixed with other Stoneware Gloss glazes (SW500 series) to produce additional stable and opaque colors. Layer design work with other Stoneware Gloss series colors to create crisp images that won’t blur or require clear glaze.

 Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SD514 Sage Gloss Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Cone 6 results: Sage Gloss is a highly pigmented, gloss glaze. The highly stable qualities of this glaze make it ideal

for design work and full opaque coverage at mid-range temperatures.

Cone 10 reduction: Color shifts to bluish green. Remains stable.

Tip: Can be mixed with other Stoneware Gloss glazes (SW500 series) to produce additional stable and opaque

colors.

Layer design work with other Stoneware Gloss series colors to create crisp images that won’t blur or require clear glaze.
Stoneware Gloss Glazes can be used in design, all over coverage and are the ideal product for intermix ability at mid-range and high-fire temperatures. The integrity of your design will remain unchanged as these glazes are incredibly stable and will not move or combine with surrounding colors.
AP
Dinnerware Safe 

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SW221-10 Mint Speck Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Cone 6 results: Mint Speck is a satin-matte, semi-opaque mint green that breaks over texture. Contains small purple, orange and yellow specks. This glaze is highly stable.

Cone 10 reduction: Changes to a glossy, transparent pale blue. Specks blur and lose definition with increased application thickness. Remains stable.

Tip: Mint Speck uses SW135 Wintergreen as the base glaze. We recommend firing our matte glazes to cone 6 to produce a satin matte finish. Upon opening, specks will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use.

 Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SW223-10 Milk Glass Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Cone 6 results: Milk Glass is a glossy, semi-opaque white glaze that breaks transparent over texture. This glaze is stable.

Cone 10 reduction: Color shifts to blue with white float. Remains stable.

Tip: This glaze works well in combination with other glazes.erware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SW224-10 Tropical Teal Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-pound Dry form.

Cone 6 results: Tropical Teal is a glossy, semi-opaque teal glaze with a mottled float that breaks over texture. This glaze is stable.

Cone 10 reduction: Enhanced green undertone. Remains stable.

Tip: Blue is enhanced with increased application thickness.

 Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SW220-10 Black Timber Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Cone 6 results: Black Timber is a satin, opaque, mottled brown glaze that breaks over texture. Contains glossy brown crystals. Base color is stable; crystals can create movement.

Cone 10 reduction: Color darkens. Remains stable.

Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

1121 Satin White 1100 Series Cone 4-6 Opaque Gloss Glaze by Spectrum

16-ounce container

AP, Non-Toxic, Dinnerware Safe

The Cone Stoneware Reactive Glazes are all lead-Free and dinnerware safe. 
They are formulated to produce interesting and beautiful effects after firing.
Their final appearance can be affecting by different clay bodies and also the presence or layering of other glazes.

Due to the sensitivity of these glazes, Cone 5 is our recommended firing temperature.

V-308 Yellow - Velvet Underglaze in 2 ounce Size Container 

Yellow Velvet Underglaze is a bright lemon yellow that is vivid at cone 05. It is still bright, but less saturated at cone 05 and becomes pale at cone 10. A clear glaze over Yellow darkens the color slightly, but has less of an effect at higher temperatures.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-360 White - Velvet Underglaze in 2-ounce Size Container 

White Velvet Underglaze is a snow-white color that is bright and minty at cone 05, softens at cone 5, and becomes slightly warmer at cone 10, while maintaining a clean white color. A clear glaze accentuates the underglaze at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-380 Violet - Velvet Underglaze in 2-ounce Size Container 

Violet Velvet Underglaze is a light plum color that is soft at cone 05, darkens at cone 5, and becomes a deep lilac color that begins to burn out at cone 10. A clear glaze accentuates the color of the underglaze nicely at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-327 Turquoise Blue - Velvet Underglaze in 2-ounce Size Container 

Turquoise Blue Velvet Underglaze is a blue green color that is cyan at cone 05, deeper at cone 5, and very dark at cone 10. This underglaze maintains its color well under a clear glaze at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-303 Terra Cotta - Velvet Underglaze in 2-ounce Size Container 

Terra Cotta Velvet Underglaze is a warm cinnamon brown that is much darker with a clear glaze on top at any temperature. At cone 05, it is red-brown and reminiscent of the clay it is named after. It darkens at cone 5 and becomes a deep chocolate color at cone 10.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

Suspendaid (Pint) Specialty Product by Amaco

Brushing glazes may be altered to achieve the consistency of dipping and pouring glazes with the simple addition of distilled water and AMACO SuspendAid. This specially formulated mixture is also designed to help prevent the settling of glazes, especially ones to which additional water has been added.

Water is sometimes added to a glaze to obtain a more subtle shade of the color or to facilitate a different type of application besides brushing. Settling of the glaze is often the consequence. AMACO SuspendAid, when added to these glazes, can help prevent hard settling and fulfill application requirements.

CR-61 Speckled Yellow Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-61 is a glossy yellow glaze with black specks that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. The featured chip image of CR-61 is applied on AMACO no.11 A-Mix White Stoneware.   

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

CR-12 Speckled White Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-12 is a glossy white glaze with black specks that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-12 is applied on AMACO No.30 Milk Chocolate Clay.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze

CR-22 Speckled Teal Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-22 is a glossy teal glaze with black specks that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-22 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

CR-51 Speckled Pink Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-51 is a glossy pink glaze with black specks that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-51 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

CR-18 Speckled Flux Crawl - Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-18 is a glossy blush glaze with black specks designed for layering that when fired, crawls into organic shapes, adding color variation to the underlying glaze. The result is a unique, multidimensional effect with subtle depth. 

The featured chip image of CR-18 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

V-329 Sea Glass Blue - Velvet Underglaze in 2-ounce Size Container 

Sea Glass Blue underglaze is a very pale blue-green color at cone 05 and becomes richer and darker under a clear glaze.
It remains the same at cone 5, but fired to cone 10 becomes more blue.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-318 Rose - Velvet Underglaze in 2-ounce Size Container 

Rose Velvet Underglaze is a deep magenta that is dark at cone 05 and becomes patchy at cone 5 before it burns out almost completely at cone 10. A clear glaze over Rose will accentuate the color at cone 05 but at cone 5 and 10, there is no color change between glazed and unglazed.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

CR-58 Red Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-58 is a glossy red glaze that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-58 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze