SD124-5 MaycoShino Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Stoneware crystal glazes are designed to expand upon the surface with dazzling bursts of color. Fired results will vary based on wares orientation.

Crystals will settle to the bottom of the jar and will need a good mixing prior to initial use. Re-stir between each coat. Stir with palette knife or other, unpainted tool.

Avoid placing crystals near the bottom third of a vertical piece as they may cause additional movement during firing. Crystals will flow more than the base glaze. While the glaze is wet, use your fan brush to redistribute the crystals to achieve balanced coverage.

Over-application or heavy deposition of the crystals can cause pin-holing or running.

When storing a crystal glaze, you may consider storing upside down to facilitate crystal dispersion on the next use.

Cone 6: Blue Hydrangea is a blue floral inspired glaze that contains yellow and white crystals. As the crystals melt, large white blooms and smaller yellow blooms appear in the glaze.

Cone 10: Color changes to blue. Crystals fade slightly.

TIP: SW-207 Chambray is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-207 Chambray with a third coat of SW-170 Blue Hydrangea.

Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SD163-5 Soft Red Matte Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Stoneware crystal glazes are designed to expand upon the surface with dazzling bursts of color. Fired results will vary based on wares orientation.

Crystals will settle to the bottom of the jar and will need a good mixing prior to initial use. Re-stir between each coat. Stir with palette knife or other, unpainted tool.

Avoid placing crystals near the bottom third of a vertical piece as they may cause additional movement during firing. Crystals will flow more than the base glaze. While the glaze is wet, use your fan brush to redistribute the crystals to achieve balanced coverage.

Over-application or heavy deposition of the crystals can cause pin-holing or running.

When storing a crystal glaze, you may consider storing upside down to facilitate crystal dispersion on the next use.

Cone 6: Blue Hydrangea is a blue floral inspired glaze that contains yellow and white crystals. As the crystals melt, large white blooms and smaller yellow blooms appear in the glaze.

Cone 10: Color changes to blue. Crystals fade slightly.

TIP: SW-207 Chambray is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-207 Chambray with a third coat of SW-170 Blue Hydrangea.

Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SD170-5 Blue Hydrangea Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Stoneware crystal glazes are designed to expand upon the surface with dazzling bursts of color. Fired results will vary based on wares orientation.

Crystals will settle to the bottom of the jar and will need a good mixing prior to initial use. Re-stir between each coat. Stir with palette knife or other, unpainted tool.

Avoid placing crystals near the bottom third of a vertical piece as they may cause additional movement during firing. Crystals will flow more than the base glaze. While the glaze is wet, use your fan brush to redistribute the crystals to achieve balanced coverage.

Over-application or heavy deposition of the crystals can cause pin-holing or running.

When storing a crystal glaze, you may consider storing upside down to facilitate crystal dispersion on the next use.

Cone 6: Blue Hydrangea is a blue floral inspired glaze that contains yellow and white crystals. As the crystals melt, large white blooms and smaller yellow blooms appear in the glaze.

Cone 10: Color changes to blue. Crystals fade slightly.

TIP: SW-207 Chambray is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-207 Chambray with a third coat of SW-170 Blue Hydrangea.

Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SD186-5 Azurite Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Stoneware matte glazes range from solid shades to those that create interesting color variations as they move and break. Application thickness is the key to making mattes work for you. 

Cone 6: Azurite is a soft matte, cobalt blue glaze that will pool dark and glossy and break a light brown.

Cone 10: Color changes to green where thin/breaking and remains dark blue where thick/pooling. Increased movement.

Tip: This glaze can be very mobile; Recede coats to avoid run off on vertical pieces and practice caution in combination. Note: Not recommended for dinnerware due to surface durability.

 Not Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SD-171 Enchanted Forest - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.

Stoneware Color Selection Guide

Sophistication and Reliability  

Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening,' which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water', slake,' stir and DIP. You''ll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Maycos Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not be necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

Owl Candle Luminary in ready to paint, cone 04 Low-Fire Ceramic Bisque

7-1/4 H

CCX3106 Perfect Print Ornament in ready to paint, cone 04 Ceramic Bisque

3-3/4 inch Square

Med Rectangular Serving Tray in Ready to Paint, Cone 04 Ceramic Bisque

10 L x 6-3/4 W x 1-1/4 T

I love Mom Mug in ready to paint, cone 04 Ceramic Bisque

4-inch High

Dog Bone Pet Dish - in Ready to Paint, Cone 04 Ceramic Bisque

Dimensions:  10-3/4 x 6-1/4

Crabby Mug in Ready to Paint, Ceramic Cone 04 Bisque

All of our bisque is fired to a cone 04 and is ready to paint.

4.5 H x 3.5 Dia

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

CCX323 Clam Shell Jewelry Bowl

5-3/4 High

CCX823 - 11 inch Christmas Tree with Base, tree lites, electrical kit and small star - in ready to paint - cone 04 Ceramic Bisque 

11 inches tall

Beaded Rim Bowl in Ready to Paint, Cone 04 Ceramic Bisque

10 Dia.

Beaded Rim Bowl in Ready to Paint, Cone 04 Ceramic Bisque

2.5 H x 6.5 Dia.

C01171 Water Pitcher in ready to paint, Cone 04 Ceramic Bisque 

10-3/4 High

All of our bisque is fired to a cone 04 and is ready to paint.

Seahorse in Ready to Paint, Cone 04 Ceramic Bisque

7-1/4 Tall

Pumpkin Plate - in Ceramic Cone 04 Bisque

All of our bisque is fired to a cone 04 and is ready to paint.

13 inch wide

This item is unpainted.

You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

I love You Mug in ready to paint, cone 04 Ceramic Bisque

4-inch High

Flower Teacup and Saucer in ready to paint, Cone 04 Ceramic Bisque

6 W x 3 H

Cute Monkey in ready to paint, cone 04 ceramic bisque

5 inch Tall

Cute Giraffe Bank - in Ready to Paint, Cone 04 Ceramic Bisque

6 High

Cute Frog in ready to paint, cone 04 ceramic bisque

5 inch Tall

Cute Elephant in ready to paint, cone 04 ceramic bisque

5 inch Tall

Cute Dragon in ready to paint, cone 04 ceramic bisque

5 inch Tall

C10680 - 7 inch Christmas Tree with Base, tree lites, electrical kit and small star - in ready to paint - cone 04 Ceramic Bisque 

7 inches tall

Bulldog - in Ceramic, ready to paint, Cone 04 Bisque

Dimensions: 

5.0 High x 4-1/4 Wide x 6.0 Long 

CO-06 Supernova Mid Range Glaze

Supernova is a highly fluid creamy white translucent glaze with a crystalline surface like frost on a window. The gloss glaze surface is opalescent and breaks slightly more cream than white.

Apply to: Cone 04 Bisqueware.
Number of coats: 4 coats.

This glaze performs best at cone 5 but can be fired to cone 6. For best results, leave the inside or back of the form unglazed.

Can be fired in a normal medium-speed firing with no special cooling schedule required. To take this glaze to the next level, use a controlled cooling schedule for increased crystal growth.

These glazes are prone to running so we recommend stopping your glaze about half an inch above the foot. You can also use a drip tray or soft bricks to protect kiln shelves.

Is this glaze food safe? Yes, but due to durability, these glazes are not recommended for food surfaces.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

CO-14  Solar Rainbow Mid Range Glaze

Solar Rainbow is a highly fluid, dark gloss glaze with iridescent rainbow crystals. Breaks translucent.

Apply to: Cone 04 Bisque-ware.
Number of coats: 4 coats

This glaze performs best at cone 6 but can be fired to cone 5. For best results, leave the inside or back of the form unglazed.

Can be fired in a normal medium-speed firing with no special cooling schedule required. To take this glaze to the next level, use a controlled cooling schedule for increased crystal growth.

These glazes are prone to running so we recommend stopping your glaze about half an inch above the foot. You can also use a drip tray or soft bricks to protect kiln shelves.

Is this glaze food safe? Yes, but due to durability, these glazes are not recommended for food surfaces.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

CO-07 Solar Flare Mid Range Glaze

Solar Flare is a highly fluid light brown glaze with an iridescent crystalline surface. Opaque and glossy with a slight texture on the crystals.

Apply to: Cone 04 Bisqueware
Number of coats: 4 coats

This glaze performs best at cone 6 but can be fired to cone 5. For best results, leave the inside or back of the form unglazed.

Can be fired in a normal medium-speed firing with no special cooling schedule required. To take this glaze to the next level, use a controlled cooling schedule for increased crystal growth.

These glazes are prone to running so we recommend stopping your glaze about half an inch above the foot. You can also use a drip tray or soft bricks to protect kiln shelves.

Is this glaze food safe? Yes, but due to durability, these glazes are not recommended for food surfaces.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

CO-13 Mars Crystal Mid Range Glaze

Mars Crystal is a highly fluid, dark brick red glaze with silvery, iridescent crystals. Opaque and breaks darker.

Apply to: Cone 04 Bisqueware
Number of coats: 4 coats

This glaze performs best at cone 6 but can be fired to cone 5. For best results, leave the inside or back of the form unglazed.

Can be fired in a normal medium-speed firing with no special cooling schedule required. To take this glaze to the next level, use a controlled cooling schedule for increased crystal growth.

These glazes are prone to running so we recommend stopping your glaze about half an inch above the foot. You can also use a drip tray or soft bricks to protect kiln shelves.

Is this glaze food safe? Yes, but due to durability, these glazes are not recommended for food surfaces.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

CO-08 Dark Star Mid Range Glaze

Dark Star is a fluid, dark matte glaze with iridescent crystals like a beetle shell. Breaks translucent.

Apply to: Cone 04 Bisqueware
Number of coats: 4 coats

This glaze performs best at cone 6 but can be fired to cone 5. For best results, leave the inside or back of the form unglazed.

Can be fired in a normal medium-speed firing with no special cooling schedule required. To take this glaze to the next level, use a controlled cooling schedule for increased crystal growth.

These glazes are prone to running so we recommend stopping your glaze about half an inch above the foot. You can also use a drip tray or soft bricks to protect kiln shelves.

Is this glaze food safe? Yes, but due to durability, these glazes are not recommended for food surfaces.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

Underglaze Color Poster

Item #MC-486-E

Two Sided

Low Fire on one side - Mid Range on the other

Only one per customer while supplies last

Stoneware Glaze Chip Board Set of 3

Classics

Mattes & Crystals

Gloss, Specialty & Clear

Item #XA-212E 

This Item must be Special Ordered.  Please allow up to six weeks for delivery. 

Stoneware Color Poster

Item #MC-484-E

Two Sided

Low Fire on one side - Mid Range on the other

Only one per customer while supplies last

Stroke & Coat/Speckled Stroke & Coat Cone 06 & Cone 6Chip Board  

Item #XA-205E

Two Boards

This Item must be Special Ordered.  Please allow up to six weeks for delivery 

Stroke & Coat/Speckled Stroke & Coat Poster

Item #MC-483-E

Two Sided

Low Fire on one side - Mid Range on the other

Only one per customer while supplies last

Stroke & Coat/Speckled Stroke & Coat Chip Board  

Item #XA-204E

Two Boards

This Item must be Special Ordered.  Please allow up to six weeks for delivery 

Specialty Glaze, Designer Liner Washes & Raku Chip Board

Item #XA-215E

This Item must be Special Ordered.  Please allow up to six weeks for delivery 

Jungle Gems Color Poster

Item #MC-488-E

Two Sided

Low Fire on one side - Mid Range on the other

Only one per customer while supplies last

Jungle Gems Crystal Glaze Chip Board  

Item #XA-214E

This Item must be Special Ordered.  Please allow up to six weeks for delivery 

Fundamental Under-glaze Chip Board  

Item #XA-210E

This Item must be Special Ordered.  Please allow up to six weeks for delivery 

Fundamentals Underglaze Low Fire Chip Board  

Item #XA-209E

This Item must be Special Ordered.  Please allow up to six weeks for delivery. 

Foundations Color Poster

Item #MC-489-E

Two Sided

Low Fire on one side - Mid Range on the other

Only one per customer while supplies last

Foundations Chip Board  

Item #XA-207E

This Item must be Special Ordered.  Please allow up to six weeks for delivery. 

Elements Color Poster

Item #MC-487-E

Two Sided

Low Fire on one side - Mid Range on the other

Only one per customer while supplies last

Elements, Elements Chunkies & Pottery Cascades Chip Board

Item #XA-208E

This Item must be Special Ordered.  Please allow up to six weeks for delivery. 

C-24 - Succulent - Mid Range Celadon Glaze in Pint Size Container

This 100% mixable celadon glaze is a translucent spearmint green - fresh and spring-like.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-329 Sea Glass Blue - Velvet Underglaze in Pint Size Container 

Sea Glass Blue underglaze is a very pale blue-green color at cone 05 and becomes richer and darker under a clear glaze.
It remains the same at cone 5, but fired to cone 10 becomes more blue.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

C-33 - Sandalwood - Mid Range Celadon Glaze in Pint Size Container

This 100% mixable celadon glaze is a semi-translucent warm light brown like a sandy dune.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

C-42 - Saguaro - Mid Range Celadon Glaze in Pint Size Container

This 100% mixable celadon glaze is a translucent pale soft green like a tall cactus.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

C-55 - Red Rock - Mid Range Celadon Glaze in Pint Size Container

This 100% mixable celadon glaze is a semi-translucent deep russet brown like a Southwestern mesa.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-311 Nectar - Velvet Underglaze in Pint Size Container 

Nectar underglaze is a warm yellow color like honeysuckle flowers at cone 05 and becomes more light amber under a clear glaze.
It slightly intensifies at cone 5 and cone 10.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

C-26 - Lagoon - Mid Range Celadon Glaze in Pint Size Container

This 100% mixable celadon glaze is a translucent aqua-tinted blue like a tranquil inlet.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-330 Indigo - Velvet Underglaze in Pint Size Container 

Indigo underglaze is a deep purple-blue color at cone 05 and darkens under a clear glaze. When fired to cone 5, it becomes more blue in color and then darkens slightly at cone 10.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-392 Blood Orange - Velvet Underglaze in Pint Size Container 

Blood Orange Underglaze is a fiery tangerine color at Cone 05 which intensifies under a clear glaze. When fired to Cone 5 and Cone 10, it becomes slightly darker. May bubble with HF-9 Zinc-Free Clear at cone 5, use HF-10 Clear glaze to prevent bubbles.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

X10443 Foot Shaper Tool Small

Foot Shaper

With a sharp and pointed angle at one end for cutting, slicing, scraping, and trimming the bottom of pots while they are on the potter’s wheel, the Foot Shaper is an essential clay tool for ceramic artists.

The opposite end of the Foot Shaper tool has a smooth concave edge to effortless create a consistent foot on all pieces.

Manufactured from the finest quality of imported beech-wood, the Foot Shaper is handcrafted by well-trained artisans to ensure the highest quality.

The Foot Shaper is available at this time in medium and large and the length is 8.5 inches.

X10486

Xiem Clay Finishing Tools (Small): STRONG-Firm Silicone Set (5pcs)

The Clay Finishing Tools are revolutionary tools with double-head tips for sculpting, blending, and finishing clay surfaces with confidence. Besides the indispensable tools for hand-building and sculptural clay work, they are also excellent for texturing surface effects on malleable surfaces such as Polymer Clay, Sculpy, Sugar-paste, and Fondant Icing. They are designed and engineered for efficiency, accuracy, and dependability. They are made of pliable silicone material, resistant to extreme temperature, cracking, and deterioration.

Available in 3 and 5 pieces of medium and small double-head tip sets in flex-firm and strong-firm sizes.

X10492

Xiem Clay Finishing Tools (Small): STRONG-Firm Silicone Set (3pcs)

The Clay Finishing Tools are revolutionary tools with double-head tips for sculpting, blending, and finishing clay surfaces with confidence. Besides the indispensable tools for hand-building and sculptural clay work, they are also excellent for texturing surface effects on malleable surfaces such as Polymer Clay, Sculpy, Sugar-paste, and Fondant Icing. They are designed and engineered for efficiency, accuracy, and dependability. They are made of pliable silicone material, resistant to extreme temperature, cracking, and deterioration.

Available in 3 and 5 pieces of medium and small double-head tip sets in flex-firm and strong-firm sizes.

X10485

Xiem Clay Finishing Tools (Small): Flex-Firm Silicone Set (5pcs)

The Clay Finishing Tools are revolutionary tools with double-head tips for sculpting, blending, and finishing clay surfaces with confidence. Besides the indispensable tools for hand-building and sculptural clay work, they are also excellent for texturing surface effects on malleable surfaces such as Polymer Clay, Sculpy, Sugar-paste, and Fondant Icing. They are designed and engineered for efficiency, accuracy, and dependability. They are made of pliable silicone material, resistant to extreme temperature, cracking, and deterioration.

Available in 3 and 5 pieces of medium and small double-head tip sets in flex-firm and strong-firm sizes.

X10491

Xiem Clay Finishing Tools (Small): Flex-Firm Silicone Set (3pcs)

The Clay Finishing Tools are revolutionary tools with double-head tips for sculpting, blending, and finishing clay surfaces with confidence. Besides the indispensable tools for hand-building and sculptural clay work, they are also excellent for texturing surface effects on malleable surfaces such as Polymer Clay, Sculpy, Sugar-paste, and Fondant Icing. They are designed and engineered for efficiency, accuracy, and dependability. They are made of pliable silicone material, resistant to extreme temperature, cracking, and deterioration.

Available in 3 and 5 pieces of medium and small double-head tip sets in flex-firm and strong-firm sizes.

X10488

Xiem Clay Finishing Tools (Medium): STRONG-Firm Silicone Set (5pcs)

The Clay Finishing Tools are revolutionary tools with double-head tips for sculpting, blending, and finishing clay surfaces with confidence. Besides the indispensable tools for hand-building and sculptural clay work, they are also excellent for texturing surface effects on malleable surfaces such as Polymer Clay, Sculpy, Sugar-paste, and Fondant Icing. They are designed and engineered for efficiency, accuracy, and dependability. They are made of pliable silicone material, resistant to extreme temperature, cracking, and deterioration.

Available in 3 and 5 pieces of medium and small double-head tip sets in flex-firm and strong-firm sizes.

X10490

Xiem Clay Finishing Tools (Medium): STRONG-Firm Silicone Set (3pcs)

The Clay Finishing Tools are revolutionary tools with double-head tips for sculpting, blending, and finishing clay surfaces with confidence. Besides the indispensable tools for hand-building and sculptural clay work, they are also excellent for texturing surface effects on malleable surfaces such as Polymer Clay, Sculpy, Sugar-paste, and Fondant Icing. They are designed and engineered for efficiency, accuracy, and dependability. They are made of pliable silicone material, resistant to extreme temperature, cracking, and deterioration.

Available in 3 and 5 pieces of medium and small double-head tip sets in flex-firm and strong-firm sizes.

X10487

Xiem Clay Finishing Tools (MEDIUM): FLEX-Firm Silicone Set (5pcs)

The Clay Finishing Tools are revolutionary tools with double-head tips for sculpting, blending, and finishing clay surfaces with confidence. Besides the indispensable tools for hand-building and sculptural clay work, they are also excellent for texturing surface effects on malleable surfaces such as Polymer Clay, Sculpy, Sugar-paste, and Fondant Icing. They are designed and engineered for efficiency, accuracy, and dependability. They are made of pliable silicone material, resistant to extreme temperature, cracking, and deterioration.

Available in 3 and 5 pieces of medium and small double-head tip sets in flex-firm and strong-firm sizes.

X10508

Xiem Clay Finishing Tools (Medium): Flex-Firm Silicone Set (3pcs)

The Clay Finishing Tools are revolutionary tools with double-head tips for sculpting, blending, and finishing clay surfaces with confidence. Besides the indispensable tools for hand-building and sculptural clay work, they are also excellent for texturing surface effects on malleable surfaces such as Polymer Clay, Sculpy, Sugar-paste, and Fondant Icing. They are designed and engineered for efficiency, accuracy, and dependability. They are made of pliable silicone material, resistant to extreme temperature, cracking, and deterioration.

Available in 3 and 5 pieces of medium and small double-head tip sets in flex-firm and strong-firm sizes.

Multi-Functional Richard, Stainless Steel Rib by WiziWig Tools

Made in USA

Burbon Makin Terry, Stainless Steel Rib by WiziWig Tools

Made in USA

The Foot Fetish Rib

RU-04 Rump Shaper Rib

RV-02 Rump Shaper Rib

RV-03 Rump Shaper Rib

RU-02 Rump Shaper Rib

RU-03 Rump Shaper Rib

RV-04 Rump Shaper Rib

RU-01 Rump Shaper Bowl Rib

RV-01 Rump Shaper Bowl Rib

Lip Service Knotched Throwing Rib

Inner Eye Slab Bevel

This is the ultimate hand-building tool.

It is basically 3 tools in one. You get 3 different angles with which you can bevel your slabs for construction.

Place the tool flat on the table up against your slab and draw it along the slab to cut a perfect angle for construction. you get 30, 60, or 45 degree cuts.

The taut wire never snags or causes drag or deformation on your slab.

You can quickly and easily tighten or replace the wire too!

The Big Foot Rib

Bat Insert System with Master and 10 Round Inserts

Bat pin placement: 10" from the middle of one bat pin hole to the other

Master bat: 12.5" in diameter

Angled 8-inch Comb Clay Tool

CG1009 – Cherry Limeade (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Cherry Limeade is an opaque chartreuse base with red and light blue crystals. 

Cone 6 oxidation: Base glaze maintains color; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1009 – Cherry Limeade (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Cherry Limeade is an opaque chartreuse base with red and light blue crystals. 

Cone 6 oxidation: Base glaze maintains color; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

• These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

• Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• ·         Left-over crystals? Just add a complimentary Foundations glaze.

  ·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

  ·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

  ·         Stir frequently as crystals tend to settle in the jar due to their weight.

  ·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

  ·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

  ·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

  ·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

  ·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

  ·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

  ·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

• Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1008 – Blue Guppy (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Blue Guppy is a semi-translucent teal base with black and variegated olive metallic crystals. 

Cone 6 oxidation: Base glazes darkens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1008 – Blue Guppy (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Blue Guppy is a semi-translucent teal base with black and variegated olive metallic crystals. 

Cone 6 oxidation: Base glazes darkens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

• These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

• Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• ·         Left-over crystals? Just add a complimentary Foundations glaze.

  ·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

  ·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

  ·         Stir frequently as crystals tend to settle in the jar due to their weight.

  ·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

  ·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

  ·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

  ·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

  ·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

  ·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

  ·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

• Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1007 – Blueberry Bubblegum (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Blueberry Bubblegum is an opaque bright blue base with orange, yellow, and blue crystals. 

Cone 6 oxidation: Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1007 – Blueberry Bubblegum (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Blueberry Bubblegum is an opaque bright blue base with orange, yellow, and blue crystals. 

Cone 6 oxidation: Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

• These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

• Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• ·         Left-over crystals? Just add a complimentary Foundations glaze.

  ·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

  ·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

  ·         Stir frequently as crystals tend to settle in the jar due to their weight.

  ·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

  ·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

  ·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

  ·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

  ·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

  ·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

  ·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

• Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1006 – Purple Reign (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Purple Reign is an opaque light purple base glaze with purple and clear crystals and dark blue specks.

Cone 6 oxidation: Base glaze fades to blue; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1006 – Purple Reign (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Purple Reign is an opaque light purple base glaze with purple and clear crystals and dark blue specks.

Cone 6 oxidation: Base glaze fades to blue; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

• These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

• Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• ·         Left-over crystals? Just add a complimentary Foundations glaze.

  ·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

  ·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

  ·         Stir frequently as crystals tend to settle in the jar due to their weight.

  ·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

  ·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

  ·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

  ·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

  ·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

  ·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

  ·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

• Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems